Review: THE SWINDLERS Cons Viewers Out of Their Time

By Pierce Conran

Stars Hyun Bin and Yoo Ji-tae go toe-to-toe in this month's The Swindlers, a loose and jazzy caper thriller that mines Korea's abundant fascination with grifters. Or at least that's what it attempts to do, as this blatant ripoff of the work of director Choi Dong-hoon (Tazza: The High Rollers, The Thieves) is a grating star vehicle that smacks of smug ineptitude and a whole lot of cut corners.

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Review: GONJIAM: HAUNTED ASYLUM May Scare You Away from Hospitals for Good

By Pierce Conran

The history of Korean horror was rewritten this year by the most unlikely of contenders, as a low-budget found footage chiller became one of the top-selling K-horrors of all time. Without the benefit of any stars, Epitaph co-director Jung Bum-sik struck box office gold with Gonjiam: Haunted Asylum, which fell shy of only Kim Jee-won's A Tale of Two Sisters on the all-time local horror chart.

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Review: THE RUNNING ACTRESS Dashes to Victory

By Pierce Conran

Ever since picking up a Best New Actor Prize from the Venice International Film Festival for Oasis in 2002, Moon So-ri has been known as one of the top performers in the Korean film industry. Now, after impressing viewers and critics alike over the years, in a range of indie and commercial fare, Moon proves herself to be equally adept behind the camera, following the release of her charming, hilarious and at times poignant feature debut The Running Actress.

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Review: BE WITH YOU, Pleasant Fantasy Drama Stays the Course

By Pierce Conran

The Korean fantasy romance, a genre that has spawned modern classics such as Il Mare and Ditto, has fallen on hard times in recent years but makes a strong case for a return to form with Be With You, an engaging new vehicle for stars Son Ye-jin and So Ji-sub.

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Review: LITTLE FOREST Will Have You Yearning for the Simple Life

By Pierce Conran

In Korean cinema, when characters retreat to the countryside things generally don't work out too well for them, but in Yim Soon-rye's new drama Little Forest, a young woman regains her spirit, and as she does so, many viewers will leave the theater with a desire for the simple life. This adaptation of a popular Japanese manga (already adapted into a two-part Japanese film) gives Kim Tae-ri her first lead role since her breakout part in Park Chan-wook's The Handmaiden and offers a distinct Korean flavor in what is a cinematic love letter to 'slow living'.

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Jeonju 2018 Review: A GOOD BUSINESS, NK Defector Doc Poses Fascinating Ethical Quandaries

By Pierce Conran

Some of the best documentaries are those that don't tell you what to think but choose instead to explore a subject from different viewpoints and angles, let the images speak for themselves and give the viewer a chance to make up their own mind.

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Jeonju 2018 Review: WINTER'S NIGHT Takes a Colorful and Introspective Trip Down Memory Lane

By Pierce Conran

Returning with his third film to the festival where he picked up the top Korean Competition prize for his debut A Fresh Start, director Jang Woo-jin delivers his most carefully designed work to date with Winter's Night, one of this year's Jeonju Cinema Projects at the Jeonju International Film Festival. Yet for all its artistry and clear merit, a film with a strong opening act slowly loses its way as intriguing threads become muddled through thickly layered symbolic overtures that recall a great many similar Korean independent works, not to mention Jang's previous film Autumn, Autumn.

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