Review: CLAIRE'S CAMERA, Hong Sangsoo's Low-Key Cannes Holiday

By Pierce Conran

Love him or hate him, Hong Sangsoo has been remarkably consistent with his films, which both offer viewers a familiar framework and new variations on his favorite themes. His 20th work Claire's Camera debuts this weekend as a Special Screening in the Cannes Film Festival, after shooting at the festival last year. The brief (68 minutes) film reunites him with his In Another Country (2012) star Isabelle Huppert and muse Kim Min-hee for the third time (with a fourth collaboration, The Day After, also premiering at Cannes in a few days in competition).

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Review: THE TOOTH AND THE NAIL Does't Quite Scratch the Itch

By Rex Baylon

A fedora and trenchcoat, a beguiling femme fatale, a city in the throes of corruption. All elements of the film noir genre and all present in the picture The Tooth and the Nail. Adapted from a crime novel by Bill Ballinger, an author criminally unknown by mass audiences now but whose work from the early 50s till the late 70s had a marked influence on TV and the crime mystery genre. The Tooth and the Nail is pure period pulp. Helmed by one of the directors of the equally stylish period horror film Epitaph, Jung Sik later quit during post-production due to creative differences with the production company and was replaced by Kim Hwi, whose credits include a list of horror and suspense-thrillers (The Neighbors, The Chosen: Forbidden Cave).

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Review: BAMSEOM PIRATES SEOUL INFERNO, Incendiary and Essential Viewing

By Pierce Conran

Four years after his sensational debut Non-Fiction Diary, director Jung Yoon-suk proves not only that he’s no fluke, but that he’s among the most exciting and visionary documentary filmmakers working in Asia today. An exhilarating exploration of the underground rock scene in Seoul while also a melancholic meditation on painful disillusionment in an arch-conservative Korean society, his latest work Bamseom Pirates Seoul Inferno is a music documentary unlike any you’ve seen before.

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Review: THE TABLE Gathers Quartet of Superb Actresses in Elegant Drama

By Pierce Conran

Kim Jong-kwan assembles some of the finest actresses working in Korea today for his delightful new drama The Table. In some ways the Korean indie cousin of Jim Jarmusch’s Coffee and Cigarettes, this elegant, delicate and humorous collection of four extended conversations works beautifully as a feature film, unlike the vast majority of omnibuses that are so popular in local cinema.

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Review: THE PRISON Shackles Itself in Familiar Story

By Pierce Conran

The run of corruption thrillers that have proven so popular at the Korean box office of late shows no signs of abating with The Prison, which takes the same themes that have populated works such as Inside Men and Veteran, and applies them to the more intimate setting of a jail, which serves as a stand-in for society at large.

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News: Will Steven Yeun Star in Lee Chang-dong's BURNING?

By Pierce Conran

Last week we finally got the news we'd all been waiting for when it was confirmed that Lee Chang-dong would finally be getting back behind the camera to shoot his next feature Burning, an adaptation of a Haruki Murakami short story. Now, with only a few weeks to go until its mid-September start date, news has broken that Walking Dead and Okja star Steven Yeun has been offered a lead role in the project.

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Review: V.I.P. Is D.O.A.

By Pierce Conran

Following his period epic The Tiger, director Park Hoon-jung scales down his ambitions for the North Korea-themed investigative thriller V.I.P., a brooding procedural that lumbers its way through a serial killer tale mired in political intrigue. Much like his hit gangland opus New World, several (male) actors share top billing but each struggle in cliche-riddled roles.

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