In a bid to branch out to a wider audience following the tepid critical and commercial response to 2012's The Taste of Money, director Im Sang-soo returned with the spirited but borderline incoherent action-comedy Intimate Enemies in 2015.
Thursday, August 16, 2018
Review: INTIMATE ENEMIES Marks Low-Point For Im Sang-soo
In a bid to branch out to a wider audience following the tepid critical and commercial response to 2012's The Taste of Money, director Im Sang-soo returned with the spirited but borderline incoherent action-comedy Intimate Enemies in 2015.
Wednesday, August 15, 2018
Locarno 2018 Review: HOTEL BY THE RIVER, A Wonderfully Performed New Drama from Hong Sangsoo
Six months after the premiere of Grass at the Berlinale, prolific auteur Hong Sangsoo is back with another black and white drama which once again reunites him with his leading actress Kim Min-hee. Having just debuted at the Locarno International Film Festival, where it picked up the Best Actor Award for lead Ki Joo-bong, Hotel by the River employs less narrative trickery than most of the director's films and builds from a series of slight vignettes into a moving story of an ageing poet trying to take stock of his life in what may be his waning days.
Tuesday, August 14, 2018
BiFan 2018 Review: BEAUTIFUL VAMPIRE Bites Into Endearing and Quirky Horror Romcom
Combining the stylings of a young Park Chan-wook with the emotional sensibilities of the Korean drama world, debut feature Beautiful Vampire stood out from the crop of local indie genre features making their debuts at the Bucheon International Fantastic Film Festival this year (BiFan). Director Jude Jung imbues a playful style into a low-budget if thin genre comedy that features a compelling turn from rising name Jung Yeon-ju.
Monday, August 13, 2018
Review: ALONG WITH THE GODS: THE LAST 49 DAYS Sacrifices Focus for Franchise-Building
I'll admit that eight months ago I may have brought a certain amount of prejudice with me when I went to see Along with the Gods: The Two Worlds, the fantasy epic blockbuster that would become the second most successful Korean film of all time. Rewatching the film earlier this month, I realize my initial assessment was a little harsh and that it was more effective and engaging than I initially gave it credit for. This time around I went in with an open mind, twice, before collecting my thoughts. So I feel quite confident when I say that, sadly, Along the the Gods: The Last 49 Days is the bigger but far less successful half of Korea's first two-part blockbuster (though this may not have much of an impact on its financial prospects).
Thursday, August 9, 2018
Review: THREE SUMMER NIGHT Strips Down To Bikinis And Cheap Jokes
Bikini bods, thugs and knuckleheads cross paths under the summer sun in the latest from Korean comedy maestro Kim Sang-jin. Just as chaotic as his earlier output but with less of an edge, Kim brings his trademark cause-and-effect comedy brand to Three Summer Night, a diverting yet forgettable spin on The Hangover.
Wednesday, August 8, 2018
Review: INSANE Shoots Down the Middle
Tuesday, August 7, 2018
Review: UNWANTED BROTHER Puts Onus On Characters In Familiar Setting
After nearly a decade away from the director's chair, Shim Kwang-jin returned with an unhurried take on a common tale of a lowlife manipulating those around him to pay a debt. Propped up by a few fresh spins on the well-trodden material and some earthy performances, Unwanted Brother is a worthwhile character study with subtle yet clear social overtones which debuted at the Jeonju International Film Festival in 2015.
Monday, July 9, 2018
Review: ISLAND, An Elegiac Arthouse Mystery
A man travels to Jeju Island, planning to kill himself in his grandparents' abandoned home, in the most intriguing Korean film to grace the Jeonju International Film Festival in 2015. A lushly filmed and thoroughly engrossing mystery channeling local family melodrama norms along with surprising genre tropes and themes of the loss in a hermetic urban society, Island is a deliberately paced and ambitious arthouse production from sophomore auteur Park Jin-seong.
Friday, July 6, 2018
Review: THE DEAL, A Serviceable But Generic Korean Revenge Thriller
Korea delivers yet another serviceable revenge thriller with The Deal, a well-oiled but overly familiar addition to the longstanding local genre staple. With young women violently murdered during downpours and Kim Sang-kyung once again playing a hapless detective at his wit's end, the film immediately calls to mind modern classic Memories of Murder, an inevitable comparison but a tough act to live up to.
Thursday, July 5, 2018
Review: THE HANDMAIDEN, Park Chan-wook's Deeply Engrossing and Highly Sexual Tale of Female Sexuality
Following his Hollywood foray Stoker, Park Chan-wook returns to (mostly) home soil for his sumptuous and sensual adaptation of Sarah Waters' Fingersmith. Transposing the novel's setting from Victorian England to 1930s Korea and Japan, when the former was a colony of the latter, The Handmaiden is a deeply engrossing, highly sexual and at times darkly humorous tale of female sexuality brought to life in spectacular fashion.
Wednesday, July 4, 2018
Review: YOURSELF AND YOURS Finds Hong Sang-soo in Wry and Perplexing Mood
Celebrated indie auteur Hong Sang-soo returns to Toronto with his 18th film Yourself and Yours. Once again featuring artists boozing their way through a series of eateries as they lament over their personal woes, his latest work echoes the themes he's repeated throughout his career. Yet there's a darker than usual tone and less humanity on display here in a duplicitous narrative that appears to deliberately toy with its audience.
Tuesday, July 3, 2018
Review: THE WAILING, A Bone-Chilling, Thunderous Descent Into Hell
Subscribe to:
Posts (Atom)