Busan 2017 Review: AFTER MY DEATH Breathlessly Ponders High School Suicide

By Pierce Conran

The New Currents competition gets a jolt of energy with Kim Ui-seok's livewire debut After My Death. Much like fellow competition title Last Child, the grief and guilt surrounding a high schooler's death also forms the crux of this film, but what separates them is a focus on the group rather than individual characters and punchier pacing that drives towards an intriguing finish.

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Review: A SPECIAL LADY, the Wrong Kind of Remarkable

By Pierce Conran

Two years after Coin Locker Girl, Kim Hye-soo returns as a woman gang boss with a bold wig in Lee An-gyu's debut A Special Lady. Unfortunately, the freshness of her earlier gang saga makes way for an abundance of hollow flash in this tired and frustrating genre pic.

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Busan 2017 Review: HIT THE NIGHT Flips Genders in Talky Game of Cat and Mouse

By Pierce Conran

Following quickly on the heels of her surprising debut Bitch on the Beach, which bowed at the Seoul Independent Film Festival last year, Jeong Ga-young gets her first Busan berth with Hit the Night, which once again features the director in the lead as a curious, loquacious and sexually aggressive young woman.

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Review: THE OUTLAWS, Familiar but Punchy Thriller Shows Us New Side of Seoul

By Pierce Conran

Buff and lovable star Ma Dong-seok takes on his best leading role to date in the gritty crime tale The Outlaws, which adds laughs and punch to a modest story framed around Chinese-Korean hoods and local law in a low-rent Seoul neighborhood. First time director Kang Yoon-sung keeps things simple and on-track but knows when to juice up the tempo to avoid any slack in this surprisingly effective Chuseok holiday offering.

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Busan 2017 Review: A TIGER IN WINTER Hunts Our Individual Fears

By Pierce Conran

Following his wonderfully droll indies Romance Joe and A Matter of Interpretation, both of which also debuted at Busan, director Lee Kwang-kuk is back with A Tiger in Winter.

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Busan 2017 Review: GLASS GARDEN, Spoiled yet Soiled by Ravishing Imagery

By Pierce Conran

One of Korea's foremost indie voices returns with a fable couched in verdant imagery but marred by a sense of deja vu. Shin Su-won's fourth feature Glass Garden, the opening film of this year's Busan International Film Festival, feels like a metaphorical anecdote winged with familiar side plots and stretched out to feature length.

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News: Actor Kim Joo-hyuk Dies in Traffic Accident

By Pierce Conran

It's with a heavy heart that we share the news of the untimely passing of actor Kim Joo-hyuk, who in a rich 20-year career appeared in works such as Singles, My Wife Got Married, The Truth Beneath and Yourself and Yours. He was just 45 years old.

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News: Hong Sangsoo and Kim Min-hee Start Filming 5th Collaboration

By Pierce Conran

Hong Sangsoo and Kim Min-hee are teaming up for the fifth time on a new project that began filming earlier this month. As usual their are no plot details for what is simply Hong Sangsoo's Untitled 22nd Project for now. The film comes amidst a busy year that saw Hong release three films, all with Kim, and will co-star Jung Jin-young (seen in Claire's Camera), Kwon Hae-hyo and Kim Sae-byuk (both in The Day After).

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Short Watch: JOHNNYEXPRESS Delivers Devilishly Dark Laughs

Short Watch is a weekly feature dedicated to highlighting important short films from emerging and established filmmakers. Check back each Tuesday to watch a free and subtitled Korean short on MKC.

By Pierce Conran

This week on Short Watch, we invite you to check out the hilarious short animation JohnnyExpress. From director Kyungmin Woo, the tale involves a lazy intergalactic delivery man who causes quite a stir on his latest run.

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News: Newcomer Jeon Jong-seo Cast in LEE Chang-dong's Murakami Adaptation BURNING

By Pierce Conran

Auditions appear to have wrapped up for Lee Chang-dong's sixth film Burning as it was announced today that newcomer Jeon Jong-seo will take on the lead female role in the adaptation of Haruki Murakami's short story Barn Burning, originally published in The New Yorker.

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Review: OPERATION CHROMITE, A Soulless, Calculated Cashgrab

By Pierce Conran

Summer in Korea guarantees a few things, hot humid days, the loud whir of cicadas and the guaranteed release of a jingoistic cashgrab. Recent summers have gifted us with Roaring Currents and Northern Limit Line and last year followed suit by treating us to Operation Chromite. Featuring a tacked on performance by global star Liam Neeson, this Korean War offering might have been more egregious had its clearly venal nature not been so readily apparent the moment the project was announced.

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Review: OUR LOVE STORY Offers Authentic, Modern and Compelling Romance

By Pierce Conran

2016 has seen Korean cinema make a big push to focus its narratives on characters from all walks of life, and particularly of different sexual orientations, with several major queer films bowing at festivals from Berlin to Busan. In between those events, one unassuming independent feature from a film school may have stolen the spotlight from the rest.

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