Review: OUR LOVE STORY Offers Authentic, Modern and Compelling Romance

By Pierce Conran

2016 has seen Korean cinema make a big push to focus its narratives on characters from all walks of life, and particularly of different sexual orientations, with several major queer films bowing at festivals from Berlin to Busan. In between those events, one unassuming independent feature from a film school may have stolen the spotlight from the rest.

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Short Watch: DEER FLOWER Will Bloom in Your Nightmares

Deer Flower from KANGMIN KIM on Vimeo.

Short Watch is a weekly feature dedicated to highlighting important short films from emerging and established filmmakers. Check back each Tuesday to watch a free and subtitled Korean short on MKC.

By Pierce Conran

Screened and awarded around the world since it debuted at Sundance last year, Kim Kang-min's deranged and remarkably original short animation Deer Flower deserves all the attention it has and continues to receive.

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News: A TAXI DRIVER Enter Oscar Race and All Time Top 10 at Korean Box Office

By Pierce Conran

In addition to becoming the year's biggest film, Jang Hoon's Gwangju drama A Taxi Driver will now be hoping for Oscar glory as it has been selected as this year's Korean submission to the foreign language category of next year's Academy Awards. Meanwhile, the film overtook Taegugki to enter the all time top ten Korean films at the box office over the weekend. To date, the film has brought in 11.89 million viewers ($82.78 million).

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Review: MEMOIR OF A MURDERER Forgets to Untangle Its Intriguing Premise

By Pierce Conran

Just two weeks after V.I.P., Korean cinemas are getting another twist on the serial killer story with Won Shin-yeon’s new work Memoir of a Murderer, based on a 2013 novel by celebrated writer Kim Young-ha. Its name evokes the greatest Korean serial killer thriller of them all (though the Korean title actually translates to A Murderer’s Guide to Memorization), but this cat-and-mouse murder mystery and Alzheimer’s drama combo shares more in common with Kim Jee-woon’s I Saw the Devil.

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Review: TUNNEL Excavates Thrills, Drama and Politics Galore

By Pierce Conran

Last year's peak summer box office season wound down with Tunnel, a disaster film from A Hard Day (2014) director Kim Seong-hun. Featuring superstars Ha Jung-woo and Doona Bae in a powerful tale combining humanity and social commentary, this big-budget affair executes a effective two-handed play by suffusing its narrative with obvious melodramatic hooks while maintaining a restrained, clear focus throughout.

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Review: THE NET Is a Simple Catch from Kim Ki-duk

By Pierce Conran

Complex issues get a facile treatment in The Net, the latest work from Korean provocateur Kim Ki-duk. More coherent than his last two outings but a far cry from his best work, Kim's film comes off as little more than a simplistic sermon brought to life through routine indie specs.

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Review: THE AGE OF SHADOWS, Kim Jee-woon's Dazzling Period Spy Thriller

By Pierce Conran

Korean theatres have become inundated with films set during the Japanese Colonial period over the last few years but all are put to shame by The Age of Shadows, Kim Jee-woon's mesmerising return to home soil after directing Arnold Schwarzenegger in The Last Stand. The film also marks a strong start for Warner Brothers in the market, financing a Korean production for the first time.

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Short Watch: Neon Dreams of PLASTIC GIRLS

Plastic Girls from Nils Clauss on Vimeo.

Short Watch is a weekly feature dedicated to highlighting important short films from emerging and established filmmakers. Check back each Tuesday to watch a free and subtitled Korean short on MKC.

By Pierce Conran

Korea's problem with sex and sexuality has been explored by an enormous amount of artists in Korea, but never quite like in the dreamlike and powerful Plastic Girls. From Seoul-based German cinematographer and filmmaker Nils Clauss, this short takes a unique view of the objectification of the female form and explores a number of uniquely Korean spaces in the process.

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Review: ASURA: THE CITY OF MADNESS Unleashes Unbridled Machismo in Brooding Noir

By Pierce Conran

It's a man's world in Asura: The City of Madness, and a rotten one at that. Cops, prosecutors and politicians jostle about with unbridled machismo in a noirish caricature of corruption in the latest thriller to balk at the irresponsible behaviour of Korea's power brokers, following Veteran, Inside Men and A Violent Prosecutor.

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Review: CLAIRE'S CAMERA, Hong Sangsoo's Low-Key Cannes Holiday

By Pierce Conran

Love him or hate him, Hong Sangsoo has been remarkably consistent with his films, which both offer viewers a familiar framework and new variations on his favorite themes. His 20th work Claire's Camera debuts this weekend as a Special Screening in the Cannes Film Festival, after shooting at the festival last year. The brief (68 minutes) film reunites him with his In Another Country (2012) star Isabelle Huppert and muse Kim Min-hee for the third time (with a fourth collaboration, The Day After, also premiering at Cannes in a few days in competition).

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Review: THE TOOTH AND THE NAIL Does't Quite Scratch the Itch

By Rex Baylon

A fedora and trenchcoat, a beguiling femme fatale, a city in the throes of corruption. All elements of the film noir genre and all present in the picture The Tooth and the Nail. Adapted from a crime novel by Bill Ballinger, an author criminally unknown by mass audiences now but whose work from the early 50s till the late 70s had a marked influence on TV and the crime mystery genre. The Tooth and the Nail is pure period pulp. Helmed by one of the directors of the equally stylish period horror film Epitaph, Jung Sik later quit during post-production due to creative differences with the production company and was replaced by Kim Hwi, whose credits include a list of horror and suspense-thrillers (The Neighbors, The Chosen: Forbidden Cave).

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Review: BAMSEOM PIRATES SEOUL INFERNO, Incendiary and Essential Viewing

By Pierce Conran

Four years after his sensational debut Non-Fiction Diary, director Jung Yoon-suk proves not only that he’s no fluke, but that he’s among the most exciting and visionary documentary filmmakers working in Asia today. An exhilarating exploration of the underground rock scene in Seoul while also a melancholic meditation on painful disillusionment in an arch-conservative Korean society, his latest work Bamseom Pirates Seoul Inferno is a music documentary unlike any you’ve seen before.

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