Review: THE PRISON Shackles Itself in Familiar Story

By Pierce Conran

The run of corruption thrillers that have proven so popular at the Korean box office of late shows no signs of abating with The Prison, which takes the same themes that have populated works such as Inside Men and Veteran, and applies them to the more intimate setting of a jail, which serves as a stand-in for society at large.

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News: Will Steven Yeun Star in Lee Chang-dong's BURNING?

By Pierce Conran

Last week we finally got the news we'd all been waiting for when it was confirmed that Lee Chang-dong would finally be getting back behind the camera to shoot his next feature Burning, an adaptation of a Haruki Murakami short story. Now, with only a few weeks to go until its mid-September start date, news has broken that Walking Dead and Okja star Steven Yeun has been offered a lead role in the project.

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Review: V.I.P. Is D.O.A.

By Pierce Conran

Following his period epic The Tiger, director Park Hoon-jung scales down his ambitions for the North Korea-themed investigative thriller V.I.P., a brooding procedural that lumbers its way through a serial killer tale mired in political intrigue. Much like his hit gangland opus New World, several (male) actors share top billing but each struggle in cliche-riddled roles.

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News: Song Kang-ho Drives into 10 Million Viewer Club for 3rd Time with A TAXI DRIVER

By Pierce Conran

Jang Hoon's Gwangju drama A Taxi Driver drove past the 10 million viewer mark ($69 million) this morning (August 20), on its 19th day of release. It's the 15th Korean film to do so (19th overall) and the only one this year.

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News: Fox Resuscitates A BITTERSWEET LIFE Remake with Michael B. Jordan

By Pierce Conran

Stop me if you think you've heard this one before but a remake of A Bittersweet Life is reportedly coming together at 20th Century Fox with Michael B. Jordan taking on Lee Byung-hun's classic gangster role and former animation director Jennifer Yuh Nelson filling Kim Jee-woon's shoes in what is tipped to be a franchise-starter.

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News: Lee Chang-dong Gears Up to Film BURNING, Based on Murakami Short Story

By Pierce Conran

We haven't had a new Lee Chang-dong film since 2010's magnificent Poetry but we got our hopes up last year when his new project Burning was announced, only to have them savagely dashed when a copyright issue stalled the production. That snag has now been resolved and production is set to begin on his new film in the middle of September.

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Review: OKJA Will Make You Jump for Joy and Burst into Tears

By Pierce Conran

An endearing family adventure, a bitter ecological plea and a rousing action film all rolled into one, Okja proves once more that Bong Joon Ho is a master of twisting something new out of the familiar. While Netflix's gamble screams to be seen on the big screen, this colorful fantasy should be warmly received by global subscribers when it goes live on June 28th.

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Review: THE MIMIC, A Slick and Spirited Addition to K-Horror

By Pierce Conran

Four years after his strong debut Hide and Seek, director Huh Jung returns to a mid-August release date with his follow-up The Mimic. With better-than-average casting, this chilling and polished countryside take on a local urban legend may be the best Korean horror film in several years yet due to a problematic script it falls short of the genre’s heyday over a decade ago.

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Review: ANARCHIST FROM COLONY Gets Lost on the Way Home

By Rex Baylon

Lee Joon-ik’s latest film Anarchist from Colony is a continuation of the director’s fascination with the grand events of Korean history. From King and Clown, a film about the relationship between a Joseon dynasty king and a troupe of street performers, to Blades of Blood, about a Zatoichi-esque character during the early days of the Imjin War, Lee has focused on the perspective of the marginalized. This continues with the story of Park Yeol, a Korean anarchist who had grand designs on killing the Japanese emperor Hirohito, all in the hopes of freeing Korea from Japanese control, but was arrested and tried for treason before he could put his plan into action.

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Review: THE VILLAINESS Shoots and Chops Her Way to Bloody Revenge

By Pierce Conran

Korean action cinema bursts through to new horizons in the hyperkinetic pulp blade and bullet ballet The Villainess. Equal parts Kill Bill, Nikita, John Wick, Hardcore Henry and HK-era John Woo, the second film from Confession of Murder director Jung Byung-gil is an inspired but exhausting entry into this year's Midnight Screenings lineup at the Cannes Film Festival.

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BiFan 2017 Review: RYEOHAENG Casts Abstract Light on NK Refugees

By Pierce Conran

Director Im Heung-soon returns for his third feature, casting his artistic light on another under-served segment of the population with the documentary Ryeohaeng. Focusing on the lives of several female North Korean defectors in Korea, Im contrasts talking heads positioned in some unusual locations with dreamy reveries and musical sequences.

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Review: THE FIRST LAP, Stellar Cast Warms Up Strong, Low-Key Drama

By Pierce Conran

Director Kim Dae-hwan builds on the strengths of his debut End of Winter with another character-driven drama dominated by family gatherings, long takes and strong performances. One of this year's Jeonju Cinema Projects, The First Lap debuted in Jeonju this past spring and is having its international premiere in the Filmmaker of the Present competition in Locarno.

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