Busan 2015 Review: THE PIPER, A Satisfyingly Grimm Fairy Tale

Part of MKC's coverage of the 20th Busan International Film Festival.

By Pierce Conran

Step away from the city and it isn't long before you fall in with bad company or into a mystery in Korean cinema, with remote islands and mountains being among the favored haunts of the country's more macabre filmmakers. Taking its cue from a Brothers Grimm fairly tale (itself a take on an old German legend), Kim Gwang-tae's debut The Piper hums a familiar tune, yet this fable of mistrust and deceit remains engrossing and entertaining thanks to a few wicked twists.

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Busan 2015 Review: STEEL FLOWER Offers Wilted View of Korean Youth

Part of MKC's coverage of the 20th Busan International Film Festival.

By Pierce Conran

A year after Wild Flowers, Park Suk-young returns to the Busan International Film Festival with Steel Flower. Gritty, intimate and centering around a young girl lost in a harsh urban world, Park's latest kicks off on the same foot as his debut, with a raw immediacy and a tangle of youthful anxiety.

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Busan 2015 Review: VETERAN, Who's Gonna Protect Gotham When Bruce Wayne Grew Up to Be an Evil Super-Rich Punk?

Part of MKC's coverage of the 20th Busan International Film Festival.

By Kyu Hyun Kim, Associate Professor at UC Davis and koreanfilm.org contributor.

Seo Do-chul (Hwang Jeong-min), a veteran of the Seoul Metropolitan Police Agency, busts a ring of foreign car smugglers with his teammates, the muscle-bound Detective Wang (Oh Dae-hwan), ass-kicking Miss Bong (Jang Yoon-joo) and the cute rookie Detective Yoon (Kim Si-hoo), under the leadership of the perennially frustrated but bizarrely eloquent Chief Oh (Oh Dal-soo).  Do-chul, a pit bull of a cop, in the process of investigating the smugglers, befriends a trucker, Mr. Bae (Jeong Woong-in). Later, he is invited to a private party as a "consultant" to a hit TV series and witnesses the sponsor corporation's young heir Jo Tae-oh (teen heartthrob Yoo Ah-in) behaving cruelly to one of the partygoers. When Mr. Bae is found to be unconscious and critically wounded from an alleged suicide attempt, after directly confronting Tae-oh's corporation about his unfair firing, the cop smells a rat and starts an investigation, despite pressure from the higher-ups to look the other way. 

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New Korean Films: Coming Late at the Party (2015 Week 34)

Untouchable Lawmen

(치외법권)

By Fabien Schneider

In order to capture the boss of a powerful criminal organization who has connections with the authorities, the special investigation section has called two agents with exceptional records. While Jung-in made his arms as a criminal profiler at the FBI, Yu-min graduated from one of the best academies but is now seen as a player with women. Of course, both of them will have to go past their differences to fulfil their mission.

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New Korean Films: The Inner Beauty of Cinema (2015 Week 33)

Beauty Inside

(뷰티 인사이드)

By Fabien Schneider

Wu-jin has a very strange condition that makes him wake up every day with a new appearance. If ordinary life is already difficult when your face changes daily, having a relationship seems nearly impossible. But Wu-jin decides to confess both his love and the truth to Yi-su.

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New Korean Films: Women's Condition (2015 Week 32)

Alice in Earnestland

(성실한 나라의 앨리스)

By Fabien Schneider

Thanks to her skilled hands, Su-nam has been able to get no less than 14 typing certificates, which makes her one of the best secretary one can imagine. However, she cannot compete with a computer, and thus loses her job for a machine. She manages to find a new job, and also find a boyfriend. But when they decide to get married and buy a house, they have no other choice than taking a loan. Now that they have to pay off the loan, Su-nam suddenly has an idea to solve this situation once for all.

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New Korean Films: The Return of the Veteran (2015 Week 31)

Veteran

(베테랑)

By Fabien Schneider

While celebrating his recent successful resolution of an international auto theft scheme, a detective, Do-cheol, has a serious clash with Tae-oh, a high-level gangster from Sun-jin Group. Determined to make him fall by pinning him any crime, Do-cheol starts investigating despite his boss’ disapproval. But suddenly a boy comes to ask for his help, as his father, who helped Do-cheol in his last case, has just been severely beaten up by Tae-oh. Do-cheol then decides to get Tae-ho at any cost.

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New Korean Films: Let's Make Up the Delay Part II (2015 Week 26-30)

After more than two months of silence, I'm finally back for more discussion about Korean films getting released every week. Since I've missed a lot of interesting films and that I couldn't make my mind to just resume my weekly article as if nothing happened, I've decided that it was better to still present every film released during that period and to add my usual commentary only for the most important of them. This is the second part, covering the films released between June 22nd and August 2ndd, and you can read the first part here.

By Fabien Schneider

Director's CUT

(디렉터스 컷)

After spending a decade making independent short films, Haegang is now ready for his debut long feature. But his life is becoming a mess: his girlfriend just broke up with him, and his former team doesn’t want to have anything to do with him. As he has to work with a new producer, he’ll have to stay strong if he wants to keep his own vision in his film.

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New Korean Films: Let's Make Up the Delay Part I (2015 Week 20-25)

After more than two months of silence, I'm finally back for more discussion about Korean films getting released every week. Since I've missed a lot of interesting films and that I couldn't make my mind to just resume my weekly article as if nothing happened, I've decided that it was better to still present every film released during that period and to add my usual commentary only for the most important of them. This is the first part, covering the films released between May 18th and June 21st, and you can read the second part here.

Alive

(산다)

By Fabien Schneider

Jeong-cheol tries to make ends meets despite all the odds against him. He has to keep an eye on his mentally ill sister who wishes to leave for Seoul and he tries to fulfill his niece’s wish to play piano, while he’s not even sure to have a job to feed them and repair their house. When his coworkers suspect him when an associate runs off with the pay of everybody, Jeong-cheol offers them to take a job all together at a bean plantation.

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Coming Attractions: Keep Your Friends Close But Keep Your INTIMATE ENEMIES Closer

By Rex Baylon

It's been awhile since we've heard from Im Sang-Soo. Having made big waves in the early aughts with critically acclaimed films like A Good Lawyer's Wife (2003) and The President's Last Bang (2005), it's been three years since one of his films was released, and sadly a lot of his latter work leaves much to be desired. Intimate Enemies, with a projected release date of June 25th, seems to be yet another meditation on the ways money and power corrupt the human animal. Though instead of the dour oppressive atmosphere that was present in works like The Housemaid (2010) and The Taste of Money (2012), Im has Ryoo Seung-Bum to inject his picture with Ryoo's trademark rakish charm. I love the conman subgenre and from the trailer it looks as if Intimate Enemies has the requisite colorful characters, sex appeal, and elaborate grifts that are the hallmarks of the genre.

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Cannes 2015 Review: OFFICE Works Up an Intriguing Salaryman Chiller

By Pierce Conran

Life is hard for the average Korean salaryman, and sometimes that engenders a need to blow off a little steam. For many that involves drinking to excess, but for others it can spill over into the homestead. New Korean horror-thriller Office takes this to a disturbing extreme as a diligent and seemingly placid cubicle worker returns home from work and quietly eats dinner, before taking a hammer to his wife, mother and handicapped son. Intercut with statics shots of the homogeneous residential blocks surrounding the apartment, the instrument comes down again and again, raining crimson over the blank white walls.

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Coming Attractions: THE SILENCED Is Not Keeping Quiet Anymore

By Rex Baylon

What the hell is it about boarding schools that make it such prime real estate for horror films? I doubt Lee Hae-young is keen on trying to answer that question, but his new picture The Silence, reaching theaters this June, seems to be in no short supply of the requisite scares that this unique sub-genre is well-known for. Starring Park Bo-young, of A Werewolf Boy (2012) fame, as a young girl named Joo-ran who is transferred to an all girls boarding school that is suffering an epidemic of vanishing students. Why are they vanishing? Are they being kidnapped by some demonic force? Or just the typical human villains? I guess you'll have to wait a few more weeks to find out.

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