New Korean Films: Women's Condition (2015 Week 32)

Alice in Earnestland

(성실한 나라의 앨리스)

By Fabien Schneider

Thanks to her skilled hands, Su-nam has been able to get no less than 14 typing certificates, which makes her one of the best secretary one can imagine. However, she cannot compete with a computer, and thus loses her job for a machine. She manages to find a new job, and also find a boyfriend. But when they decide to get married and buy a house, they have no other choice than taking a loan. Now that they have to pay off the loan, Su-nam suddenly has an idea to solve this situation once for all.

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New Korean Films: The Return of the Veteran (2015 Week 31)

Veteran

(베테랑)

By Fabien Schneider

While celebrating his recent successful resolution of an international auto theft scheme, a detective, Do-cheol, has a serious clash with Tae-oh, a high-level gangster from Sun-jin Group. Determined to make him fall by pinning him any crime, Do-cheol starts investigating despite his boss’ disapproval. But suddenly a boy comes to ask for his help, as his father, who helped Do-cheol in his last case, has just been severely beaten up by Tae-oh. Do-cheol then decides to get Tae-ho at any cost.

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New Korean Films: Let's Make Up the Delay Part II (2015 Week 26-30)

After more than two months of silence, I'm finally back for more discussion about Korean films getting released every week. Since I've missed a lot of interesting films and that I couldn't make my mind to just resume my weekly article as if nothing happened, I've decided that it was better to still present every film released during that period and to add my usual commentary only for the most important of them. This is the second part, covering the films released between June 22nd and August 2ndd, and you can read the first part here.

By Fabien Schneider

Director's CUT

(디렉터스 컷)

After spending a decade making independent short films, Haegang is now ready for his debut long feature. But his life is becoming a mess: his girlfriend just broke up with him, and his former team doesn’t want to have anything to do with him. As he has to work with a new producer, he’ll have to stay strong if he wants to keep his own vision in his film.

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New Korean Films: Let's Make Up the Delay Part I (2015 Week 20-25)

After more than two months of silence, I'm finally back for more discussion about Korean films getting released every week. Since I've missed a lot of interesting films and that I couldn't make my mind to just resume my weekly article as if nothing happened, I've decided that it was better to still present every film released during that period and to add my usual commentary only for the most important of them. This is the first part, covering the films released between May 18th and June 21st, and you can read the second part here.

Alive

(산다)

By Fabien Schneider

Jeong-cheol tries to make ends meets despite all the odds against him. He has to keep an eye on his mentally ill sister who wishes to leave for Seoul and he tries to fulfill his niece’s wish to play piano, while he’s not even sure to have a job to feed them and repair their house. When his coworkers suspect him when an associate runs off with the pay of everybody, Jeong-cheol offers them to take a job all together at a bean plantation.

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Coming Attractions: Keep Your Friends Close But Keep Your INTIMATE ENEMIES Closer

By Rex Baylon

It's been awhile since we've heard from Im Sang-Soo. Having made big waves in the early aughts with critically acclaimed films like A Good Lawyer's Wife (2003) and The President's Last Bang (2005), it's been three years since one of his films was released, and sadly a lot of his latter work leaves much to be desired. Intimate Enemies, with a projected release date of June 25th, seems to be yet another meditation on the ways money and power corrupt the human animal. Though instead of the dour oppressive atmosphere that was present in works like The Housemaid (2010) and The Taste of Money (2012), Im has Ryoo Seung-Bum to inject his picture with Ryoo's trademark rakish charm. I love the conman subgenre and from the trailer it looks as if Intimate Enemies has the requisite colorful characters, sex appeal, and elaborate grifts that are the hallmarks of the genre.

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Cannes 2015 Review: OFFICE Works Up an Intriguing Salaryman Chiller

By Pierce Conran

Life is hard for the average Korean salaryman, and sometimes that engenders a need to blow off a little steam. For many that involves drinking to excess, but for others it can spill over into the homestead. New Korean horror-thriller Office takes this to a disturbing extreme as a diligent and seemingly placid cubicle worker returns home from work and quietly eats dinner, before taking a hammer to his wife, mother and handicapped son. Intercut with statics shots of the homogeneous residential blocks surrounding the apartment, the instrument comes down again and again, raining crimson over the blank white walls.

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Coming Attractions: THE SILENCED Is Not Keeping Quiet Anymore

By Rex Baylon

What the hell is it about boarding schools that make it such prime real estate for horror films? I doubt Lee Hae-young is keen on trying to answer that question, but his new picture The Silence, reaching theaters this June, seems to be in no short supply of the requisite scares that this unique sub-genre is well-known for. Starring Park Bo-young, of A Werewolf Boy (2012) fame, as a young girl named Joo-ran who is transferred to an all girls boarding school that is suffering an epidemic of vanishing students. Why are they vanishing? Are they being kidnapped by some demonic force? Or just the typical human villains? I guess you'll have to wait a few more weeks to find out.

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Cannes 2015 Review: MADONNA - A Riveting Tale of Sorrow and Redemption

By Pierce Conran

Following her accomplished sophomore film, the absorbing high school revenge tale Pluto (2012), Shin Su-won returns in glorious fashion with the searing Madonna. Meticulous, layered and yet seemingly effortless, this rewarding tale of mingled sorrow and redemption should go a long way towards establishing its director as a major talent on the global scene.

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New Korean Films: Disobeying Civil Servants (2015 Week 19)

The Chronicles of Evil

(악의 연대기)

By Fabien Schneider

Detective Choi has been decorated with a president’s mention, one of the most prestigious awards that a police officer could have. But on the way back from a celebratory party with his coworkers, he gets physical with a taxi driver and eventually kills him by accident. Thinking of his newly-found prestige, he decides to hide the body and cover the crime. But on the next day, the very same body is found hanging from a crane in front of Choi’s police station. He now has to investigate his own crime, while trying to know who is trying to make him fall.

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Cannes 2015 Review: THE SHAMELESS Delivers Hardboiled Melodrama with Top Drawer Performances

By Pierce Conran

"Learn the rules like a pro, so you can break them like an artist"

Pablo Picasso

Today's Korea, whether looking at its entertainment, fashion or culinary scenes, is a society awash with fusion. Nowhere is this more true than in its cinema, as since the late 90s Korean filmmakers have never shied away from playing with genre. Many artists and artisans would do well to take note of the above quote by Picasso (though I imagine he wasn't the first to say it) before dishing out cookie crust shrimp and potato pizzas or dumping a motley crew of genre fare into a blender and calling it a script. However, while these hybrid experiments have frequently backfired, a surprising amount have been successful, including modern classics like Bong Joon-ho's The Host (2006) and Jang Joon-hwan's Save the Green Planet (2003).

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Review: TAEGUKGI: THE BROTHERHOOD OF WAR is a Heartbreaking Tale from the Korean War

By Chris Horn

You would be hard-pressed to find a more compelling and difficult to portray subject than war. Having successfully proven himself with his 1999 action film Shiri, director Kang Je-gyu once more took a look at the breakout of violence between North and South Korea in Taegukgi: The Brotherhood of War. While comparisons to Saving Private Ryan (1998) are inevitable, Taegukgi cuts to the heart of a different kind of war with less clearly defined lines and much more personal stakes for its characters.

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New Korean Films: The Taste of Love and The Love of Taste (2015 Week 18)

Love Clinic

(연애의 맛)

By Fabien Schneider

Two doctors are opening their cabinet on the same floor. One of them is Kil Shin-seol, an urologist who knows everything about men’s sexuality, while the other is Wang Sung-ki, an obstetrician who knows more about female sexual attributes than their minds. But both of them have barely even had relationships, thanks to their own behaviors and fears. As they become fond of each other, they also start to treat each other as their own patients.

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