By Hieu Chau
Writer-director Lee Jeong-beom made a big splash in 2010 when his confidently made action feature
The Man from Nowhere became a box office hit in South Korea. It made a believable action star out of its lead, Won Bin, and had an emotional core that helped it lean closer towards other, well-established action films of its ilk such as Luc Besson’s
Leon: The Professional (1994) or Tony Scott’s
Man on Fire (2004). Lee follows a similar format with his newest ultraviolent follow up,
No Tears for the Dead, which at times feels like it could have been another Tony Scott film.