Review: The Face Reader Is a Terrific Period Yarn

Though absent from Korean marquees this year until now, the period Korean film makes a big comeback with the release of Han Jae-rim's arresting The Face Reader. Sublimely mounted, intriguingly plotted and featuring a terrific cast, this seems the ideal film for Chuseok (Korea's biggest holiday), which it was no doubt carefully tailored for.

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1st Chuseok Film Festival Takes Place Next Week

The Chuseok Film Festival, which will screen a variety of Korean films with English subtitles, is set to have its first edition during next week's national holiday. 18 films (including 13 features and 5 shorts) will be shown on September 18th and 19th at Art Nine Cinema in Seoul, located by Isu Station in Megabox on the 12th floor.

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Review - The Spy: Undercover Operation Should Have Stayed Under Wraps

Korean cinema has gotten very good at staging impressive onscreen spectacle in recent years. Though $10 million budgets used to be a rare thing, reserved for only the most ambitious and promising films, these days an abundance of these pricey projects are flooding the market. As with everywhere else in the cinema landscape, studios feel a need to continually up the ante as they worry about the diminishing attention spans of their audiences. But for every film that spends its money wisely many more appear that could easily be labeled a waste: of the production budget, as well as the audience's time. Which brings us to The Spy: Undercover Operation.

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Korean Box Office: Now You See Me Rises To First

As we head out of the summer, the major Korean releases of the season are starting to tapper off, leaving the door for America to reclaim some ground ahead of the Chuseok holiday, which will likely see the balance fall back in favor of local releases. Total ticket sales jumped 20% year-on-year to 2.46 million admissions while the domestic market share was only 39%, half of where it stood last year.

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Review: Hide and Seek Is Worth the Look

The thriller genre, one of the hallmarks of contemporary Korean cinema, seems to be as strong as ever on the peninsula these days. Many of the country's best commercial films are knee-deep in crime, sex and death, and gussied up in slick atmospheric aesthetics. This summer, as with many before, has seen its fair share of high profile thrillers grip the nation, such as Cold Eyes, The Terror Live, The Flu and now Hide and Seek.

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Korean Box Office: Hide and Seek Ekes Out Another First Place (08/23-08/25, 2013)

In the last weekend before many schools start their new terms, business had a last hurrah with 3.24 million tickets sold over the frame, approximately 30% more than last year. A new Hollywood release dampened the market share somewhat, but the take for local product still came in at a powerful 63% (versus 78% in 2012).

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PiFan 2013 - Before Sundown: Sunshine Love (2013)

Arrested development has been a very prescient theme in Western media. The man-child, geek, otaku; no matter what you call it we are living in an age where the lines between childhood and adult responsibilities have blurred. For the character of Gil-ho (Oh Jeong-se) in Jo Eun-sung’s debut feature Sunshine Love (2013), his protracted immaturity is not because of some addiction to a fantasy world, though the film is interspersed with several fantasy kung-fu sequences. No, what cripples Gil-ho is what cripples most twenty-somethings, a sense of dread as our expectations for the life we are supposed to live clashe with the reality of our situation. In the case of Gil-ho, the moment we first meet him we learn two important things about him. First, he desperately wants a position as a government bureaucrat. And second, he has failed the government exam several times already. Though an obvious change in career should be the next step for Gil-ho he seems too stubborn for this epiphany and continues on with his quest to be a civil servant.

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Korean Box Office: Hide and Seek is Lord of the Korean Thrillers

August continued to be redhot at the Korean box office as no less than four Korean thrillers duked it out for the top spot. In the end it wasn't as close a race as it seemed it was going to be but, nevertheless, a stunning 3.96 million tickets were sold over the frame, light years ahead of last year's 3.12 million. The story was even more impressive for local films as the four local thrillers that held court at the top of the chart combined for a commanding 89%, compared with 68% last year.

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New Korean Films: Impending Contagion in Theaters (2013 Week 33)

The Flu

(감기)

A new disease occurs overnight and causes confusion in all hospitals. It spreads particularly fast because the virus is propagated through the respiratory system and only needs 36 hours of incubation to cause death. Physicians, researchers and ordinary civilians are fighting to eradicate the outbreak before it is too late.

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Review: Slick Epidemic Thriller The Flu Strays Off Course

It was only last summer that Korea released its first film featuring a deadly disease when Deranged became a big hit in June. Coming from the same studio (CJ Entertainment), the new epidemic thriller The Flu, the first work from director Kim Sung-su (Beat, 1997) in 10 years, seeks to strike gold again with the same blend of star power, family dynamics and chaos.

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Korean Box Office: Another Huge Weekend for Snowpiercer and The Terror Live

Following last weekend's record breaking 4.5 million admissions bonanza, business quelled somewhat over the past frame. However, at 3.6 million, it is still on of the biggest weekends on record and significantly above last year's 3.1 million. The local market share was a mighty 78%, in line with last year. Just like last week, business was bolstered by a pair a giant productions.

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New Korean Films: Indie Films Never Die (2013 Week 32)

Oldmen Never Die

(죽지않아)

Ji-hoon went to the countryside to live with his grandfather to discharge him of farm work, but also to make sure to make a good impression to get a large share of his inheritance, thinking that he may die very soon. But it's been three years since Ji-hoon gets exhausted every day, and his grandfather seems instead to rejuvenate with each passing day. After taking a long-awaited break for a day spent in Seoul, he returns to the village and comes upon a young woman standing in front of his place who claims to be his grandfather’s girlfriend.

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