Part of MKC's Revenge Week (July 8-14, 2013).
Wednesday, July 17, 2013
Revenge Week: Conclusion
Tuesday, July 16, 2013
Revenge Week: Reader's Top 10 Korean Revenge Films
Part of MKC's Revenge Week (July 8-14, 2013).
We began Revenge Week with the MKC's Top 10 Korean Revenge Films and now as the feature comes to an end, here is the Top 10, as voted by you! Thanks to all who took part and if you leave a comment with your favorites, we may still just include them in the list. ;)
Revenge Week: Hell Hath No Fury... Part II - Diary of June
Part of MKC's Revenge Week (July 8-14, 2013).
By Paul Quinn, founder of the excellent Hangul Celluloid.
Shortly after being teamed up to work together, veteran Seoul police detective Ja-young (Shin Eun-kyung) and rookie cop Dong-wook (Eric Moon) are assigned to investigate the death of a high school student who is thought to have committed suicide. An autopsy is performed, revealing a small, pill-like capsule inside the boy's body which contains a scrap of paper from a diary, with the details of a previous murder (of another high school student) written on it. When a similar capsule is also found in that victim's body, Ja-young and Dong-wook realise that both boys were, in fact, murdered by a serial killer and, convinced that the writer of the diary is the perpetrator, they set out to track him down. The only problem is, he too is dead...
Revenge Week: MKC Thought Leaders' Corner (July 2013)
Part of MKC's Revenge Week (July 8-14, 2013).
Revenge Week has been a great success and though it's nearly over there are still a few voices to be heard. Read on to learn what the experts had to say about Korean cinema's most popular export.
To what would you attribute the prominence of revenge films in Korean cinema?
Monday, July 15, 2013
Revenge Week: Hell Hath No Fury... Part I
By Paul Quinn, founder of the excellent Hangul Celluloid.
Ask almost anyone with even a vague knowledge of Korean cinema about continually prevalent K-film genres or themes and at some point in their response they'll likely mention more than one example from a near plethora of Korean revenge thrillers and cinematic tales of bloody retribution. While any discussion of genre predominance is of course multi-faceted, the fact that a country's cinema can almost not fail to be influenced by its nation's psyche - inherently reflecting trials and tribulations faced nationally - to my mind speaks volumes about the origin of Korean cinema's regular and ongoing use of revenge narratives: By its very definition, revenge comes as a direct response to wrongs suffered, oppression and/or repression and with Korea historically having had to endure not only decades of occupation by Japan - during which time repeated efforts were made by the Japanese to completely eradicate Korea as a nationality, including the banning of Korean language films from 1942 until 1945, when Korean independence was finally secured - but also subsequent years of stringent cinematic constraints and censorship instigated by the Korean government itself, the revenge genre has since provided opportunities for filmmakers to produce searing entertainment at the same time as, perhaps subconsciously, allowing a kind of audience catharsis by way of indulgence in fictional tales of vengeance and retribution where no national revenge could or would ever be sought in reality.
Revenge Week: Filmic Self-reflexivity and Revenge in Park Chan-wook’s Cut (2004) - Part II
Part of MKC's Revenge Week (July 8-14, 2013).
By Rowena Santos Aquino
Continuing the collapse of the boundaries between filmmaking and real life, when the director comes to, he finds his hands tied behind his back and cinched at the waist with a red band to curtail his movement and his wife gagged and her seated body woven into the piano as if condemned to play the instrument for all eternity. But as a shot reveals, what looks to be their home, where the unnamed avenger first appears, is actually the film set used at the beginning of the film. Who is the director and who is the actor now?
Revenge Week: Recent “Women's Revenge” Films and The Curious Case of Bedevilled
By Kyu Hyun Kim, Associate Professor at UC Davis and koreanfilm.org contributor.
Korean Box Office: Pacific Rim Cashes in on Korea's Robot-philia
Business was a healthy 2.62 million admissions (in line with last year) over the frame as two big releases duked it out for the top spot. The local market share was down to 40%, well below last year's 60% but unsurprising given the big new release the past weekend.
| Title | Release Date | Market Share | Weekend | Total | Screens | |
| 1 | Pacific Rim (us) | 13/07/11 | 44.30% | 1,160,636 | 1,372,731 | 1005 |
| 2 | Cold Eyes | 13/07/03 | 34.60% | 1,003,049 | 3,540,435 | 801 |
| 3 | World War Z (us) | 13/06/20 | 11.60% | 345,896 | 4,891,909 | 383 |
| 4 | Killer Toon | 13/06/27 | 3.50% | 107,173 | 1,091,116 | 244 |
| 5 | Lone Ranger (us) | 13/07/04 | 1.20% | 34,668 | 370,829 | 229 |
| 6 | Secretly Greatly | 13/06/05 | 1.10% | 34,319 | 6,932,959 | 141 |
| 7 | The Adventures of Jinbao (ch) | 13/07/04 | 0.80% | 25,199 | 71,029 | 116 |
| 8 | Side Effects (us) | 13/07/11 | 0.70% | 18,697 | 23,441 | 170 |
| 9 | The Croods (us) | 13/05/16 | 0.30% | 8,998 | 936,699 | 39 |
| 10 | The Master (us) | 13/07/11 | 0.20% | 6,561 | 9,282 | 38 |
Sunday, July 14, 2013
Revenge Week: The Vengeful Ripples of Bong Joon-ho’s Mother
Part of MKC's Revenge Week (July 8-14, 2013).
Outside of a few clear candidates, pinpointing revenge films isn’t quite as easy as it seems. Case in point is Bong Joon-ho’s Mother (2009). When I first considered it, I hesitated, but after watching it again this past weekend, it became clear that this is a film teeming with revenge, yet not for the reasons that I had at first considered.
Revenge Week: Filmic Self-reflexivity and Revenge in Park Chan-wook’s Cut (2004) - Part I
By Rowena Santos Aquino
We all know what revenge is as an act: a self-serving system that goes beyond in the absence of, or rejects, institutional justice. In short, when one has been wronged physically and emotionally or has witnessed another experience, and acts privately and accordingly, based on one’s ethical line, to punish who has committed that wrong. As film scholar Steve Choe writes, ‘Vengeance requires the existence of a past transgression or trauma, which demands that it be met with equal compensation in the present’ (30). Even more summary still, revenge is about personally ‘getting even’ and (idealistically) bringing about a moral parity but often through immoral ways.
Saturday, July 13, 2013
Revenge Week: Trailers of Revenge! Day 6
Part of MKC's Revenge Week (July 8-14, 2013). This daily series comes courtesy of Tom Giammarco, the author of the Seen in Jeonju website, surely one of the best resources for information on classic Korean cinema on the web. Enjoy!
This will be the final entry that I have for REVENGE WEEK and I wanted to save the best for last. Yesterday’s theme of having a hitherto unknown family member exacting revenge on a victim touches a little on today’s theme of a stranger in the house.
Revenge Week: Vengeance Trilogy DVD/Blu-ray Giveaway!
Part of MKC's Revenge Week (July 8-14, 2013).
Just a few days left in Revenge Week now and the very kind people from Palisades Tartan have reached out to us to give a few lucky readers the chance to win Park Chan-wook's entire Vengeance Trilogy on DVD or Blu-Ray!
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