New Korean Films: The Coming of New Indie Filmmakers (2013 Week 11)

(by Fabien Schneider)

This week is all to the glory of independent cinema since the Korean Academy of Art Films delivers two films from its students and a third debut movie completes the series. But don't get your hopes up, success will only smile upon My Paparoti, as this one has all the cards in hand to propel itself to the top of the box office. There is also a particular challenger that I decided not to include in my article despite being quite interesting for what it tells about the foreign interests in the Korean market: The Fifth Execution, a Russian film co-produced with South Korea and the U.S., where the main character is embodied by Kim Bo-seong, a famous actor of the 90s who starred in the trilogy of Two Cops, a few comedies and some soap operas.

Your Time is Up 

(누구나 제 명 에 죽고 싶다)

 

Click to read more»

An Ambitious Korean Gangster Film: New World (신세계, Sinsegye) 2013

Ever since I discovered Korean cinema, I’ve been a fan of the industry’s frequent experimentations with genre. Almost every film that comes out of the country seems to be an amalgamation of different tropes but there is one genre that has remained for the most part untouched: the gangster film. When Korean filmmakers decide to make a gangster film, they tend to leave experimentation aside and instead look to emulate some of world cinema’s most beloved criminal narratives.

Click to read more»

Between Memory and Awareness: Jiseul (지슬) 2012

(by Fabien Schneider)

MKC is co-presenting Jiseul as part of this year's CAAMFest. Film screens on March 15th & 19th. Click here for more details.

Film watched at the 19th Vesoul International Film Festival of Asian Cinema

As soon as the moving silhouettes detaching themselves from the ambient darkness begin to raise their voices, the fire that provided their scant comfort peters out. Suddenly, all of them realize that they are now trapped in the black under a few meters of rock. They do not know how many days they have lurked there like hibernating animals, but one thing is certain, they still need to wait one more day. And then another. Who knows when this nightmare will come to an end? With little historical context, the young director O Muel ruthlessly immerses us into one of the darkest episodes of the Cold War. One that is seldom documented in South Korea, and that the U.S. has preferred to ignore. With a careful, solemn aesthetic, the director tackles the process of remembrance, one equal to that of the dramatic event. Though it will surely be appreciated by the local population as the outlet that they expected for so long, the film remains too hermetic to allow a foreign audience to understand the true value of its drama. Spectators have to make due with a simple introductory text, insufficient and somewhat dubious from a historical perspective.

Click to read more»

KBO: New World Holds Firm During Slow Weekend (03/08-03/10, 2013)

New World Holds Firm During Slow Weekend

	Title	Release Date	Market Share	Weekend	Total	Screens
1	New World	13/02/21	30.90%	508,893	3,369,650	555
2	Miracle in Cell No.7	13/01/23	16.70%	291,884	12,177,983	433
3	Psychometry	13/03/07	14.80%	242,319	297,330	429
4	Oz: The Great and Powerful (us)	13/03/07	13.60%	208,962	228,696	425
5	Jack the Giant Slayer (us)	13/02/28	8.60%	147,478	885,989	364
6	Zero Dark Thirty (us)	13/03/07	3.50%	61,171	72,222	258
7	The Berlin File	13/01/30	3.40%	56,401	7,100,309	287
8	12 Chinese Zodiac Heads (cn)	13/02/27	2.40%	41,665	296,010	187
9	Stoker (us)	13/02/28	2.40%	38,430	343,752	204
10	b (In)	13/02/21	0.90%	17,266	302,550	168

Click to read more»

New Korean Films: Is There Room For Yet Another Thriller? (2013 Week 10)

(by Fabien Schneider)

This week will probably see no new hit for Korean films and thus should maintain the established order at the box office. With a short movie for film buffs and a collection of independent short films in very limited distribution, only Psychometry has the ability to attract thousands of spectators, but finds itself in the worst possible situations, being released after two big successful thrillers.

Psychometry

(사이코메트리) 

 

Click to read more»

Why Hollywood Genre Flicks Need Korean Film, Not Korean Filmmakers

(by Peter Gutiérrez)

Here’s a snobby confession for you: I don’t read the New York Times much for insights into international cinema. But when it recently ran a piece entitled South Korean Crossover in Hollywood, I had to pay attention. Rather predictably it compared and contrasted Bong Joon-ho, Park Chan-wook, and Kim Ji-woon, taking an approach that cited previous waves of foreign-born directors arriving in the US and making the entire issue seem like one of immigration.

Click to read more»

BIFF 2012: Perfect Number (용의자X, Yong-eui-ja-X) 2012

Part of MKC's coverage of the 17th Busan International Film Festival.

I originally saw Bang Eun-jin’s sophomore film Perfect Number at the Busan International Film Festival last October. I am a big fan of the Japanese book (‘The Devotion of Suspect X’ by Keigo Hegashino) that it was based on and as I felt that the story would be a great fit for Korean cinema my expectations were very high. Too high it seems as I found myself a little disappointed by a film delivering something I wasn’t expecting.

A reclusive math teacher is smitten with his next-door neighbor who lives with her niece. One day her ex-husband comes to visit and a violent altercation ends with his lifeless corpse hitting the ground. The teacher has heard what transpired and knocks on their door. Quiet, composed and intelligent, he offers to help his distressed neighbors.

Click to read more»

KBO: New World Repeats up Top, Stoker Unconvincing (03/1-03/03, 2013)

New World Repeats up Top, Stoker Unconvincing

	Title	Release Date	Market Share	Weekend	Total	Screens
1	New World	13/02/21	29.40%	849,376	2,530,048	604
2	Miracle in Cell No.7	13/01/23	25.10%	777,968	11,704,634	577
3	Jack the Giant Slayer (us)	13/02/28	19.40%	545,550	659,854	507
4	The Berlin File	13/01/30	6.40%	189,296	6,997,749	362
5	Stoker (us)	13/02/28	5.80%	165,408	240,639	329
6	12 Chinese Zodiac Heads (cn)	13/02/27	5.20%	162,566	217,242	300
7	Delhi Safair (In)	13/02/21	2.50%	83,606	280,563	263
8	The Giant King (us/th)	13/02/21	1.00%	33,808	149,067	180
9	Sky Force 3D (us, hk)	13/02/28	0.90%	30,991	43,496	183
10	An Ethics Lesson	13/02/21	0.60%	18,065	215,985	147

Click to read more»

MKC Thought Leaders' Corner: February 2013

This month, we take a look at the star system in Korea. February's roster of experts take a look at the many stars in the Korea film industry, many of them hailing from the realms of Kpop and Kdrama. This month's question:

How valuable are stars in the Korean film industry?

Many to thanks to all the contributors for their time and insightful comments. Responses listed alphabetically, followed by the thoughts of MKC's teammembers.

Click to read more»

New Korean Films: Meta-Narratives and Binge Drinking (2013 Week 9)

(by Fabien Schneider)

The program for this week looks quite unique, with only two new films, but two independent productions that both have many similarities: they were screened in the Berlinale this month, and propose experiments with narrative. Nothing that could shake the top of the current box office of course, but it will be interesting to see which of these two movies will get the most endorsement from the public.

Nobody's Daughter Haewon  (누구의 딸도 아닌 해원)

Click to read more»

Divorce, Korean Style: All About My Wife (내 아내의 모든 것, Nae Anaeui Modeun Geot) 2012

(by Rex Baylon)

There used to be a time when America was known as a manufacturing giant. In agriculture, electronics, and automobile design America seemed not to have any contenders. With regards to film, Hollywood was the first and last word when it came to cinema. Even as the US began its slow decline, the soft power of American cinema never seemed to waver even through all the social upheaval of the twentieth century; while presidents came and went, one hit wonders rose and fell, and wars were won or lost, Hollywood never lost its luster in the eyes of foreign and domestic audiences.

Click to read more»

For Eternal Hearts (별빛 속으로, Byeolbit Sokeuro) 2007

(by refresh_daemon)

There is an almost early Korean New Wave sensibility to the storytelling of For Eternal Hearts with its loose, observant narrative, that gives it an almost art-film like aesthetic, but the film's rather forced and self-cancelling narrative fails to build any significant dramatic tension, even despite throwing in several twists, to elevate this romance-less supernatural romance film from its murky story and visuals.

It all starts with a German literature professor, Hyeon Suyeong (Jeong Jin-yeong), who runs into a classroom full of students who ask him to recount his first love. He then tells of how as a young man (Jeong Gyeong-ho), he was taken by a spunky fellow student, nicknamed Pippi (Kim Gyu-ri), but shortly after he meets her, she commits suicide following a few cryptic comments about following love into death. However, shortly after her death, Suyeong starts seeing Pippi and she leads him to a job tutoring a high school student, Suji (Cha Su-yeon), who is instantly infatuated by Suyeong, but things are not what they seem.

Click to read more»