Tuesday, March 12, 2013
Between Memory and Awareness: Jiseul (지슬) 2012
(by Fabien Schneider)
MKC is co-presenting Jiseul as part of this year's CAAMFest. Film screens on March 15th & 19th. Click here for more details.
Film watched at the 19th Vesoul International Film Festival of Asian Cinema
As soon as the moving silhouettes detaching themselves from the ambient darkness begin to raise their voices, the fire that provided their scant comfort peters out. Suddenly, all of them realize that they are now trapped in the black under a few meters of rock. They do not know how many days they have lurked there like hibernating animals, but one thing is certain, they still need to wait one more day. And then another. Who knows when this nightmare will come to an end? With little historical context, the young director O Muel ruthlessly immerses us into one of the darkest episodes of the Cold War. One that is seldom documented in South Korea, and that the U.S. has preferred to ignore. With a careful, solemn aesthetic, the director tackles the process of remembrance, one equal to that of the dramatic event. Though it will surely be appreciated by the local population as the outlet that they expected for so long, the film remains too hermetic to allow a foreign audience to understand the true value of its drama. Spectators have to make due with a simple introductory text, insufficient and somewhat dubious from a historical perspective.
Monday, March 11, 2013
KBO: New World Holds Firm During Slow Weekend (03/08-03/10, 2013)
New World Holds Firm During Slow Weekend
Title | Release Date | Market Share | Weekend | Total | Screens | |
1 | New World | 13/02/21 | 30.90% | 508,893 | 3,369,650 | 555 |
2 | Miracle in Cell No.7 | 13/01/23 | 16.70% | 291,884 | 12,177,983 | 433 |
3 | Psychometry | 13/03/07 | 14.80% | 242,319 | 297,330 | 429 |
4 | Oz: The Great and Powerful (us) | 13/03/07 | 13.60% | 208,962 | 228,696 | 425 |
5 | Jack the Giant Slayer (us) | 13/02/28 | 8.60% | 147,478 | 885,989 | 364 |
6 | Zero Dark Thirty (us) | 13/03/07 | 3.50% | 61,171 | 72,222 | 258 |
7 | The Berlin File | 13/01/30 | 3.40% | 56,401 | 7,100,309 | 287 |
8 | 12 Chinese Zodiac Heads (cn) | 13/02/27 | 2.40% | 41,665 | 296,010 | 187 |
9 | Stoker (us) | 13/02/28 | 2.40% | 38,430 | 343,752 | 204 |
10 | b (In) | 13/02/21 | 0.90% | 17,266 | 302,550 | 168 |
Sunday, March 10, 2013
New Korean Films: Is There Room For Yet Another Thriller? (2013 Week 10)
(by Fabien Schneider)
This week will probably see no new hit for Korean films and thus should maintain the established order at the box office. With a short movie for film buffs and a collection of independent short films in very limited distribution, only Psychometry has the ability to attract thousands of spectators, but finds itself in the worst possible situations, being released after two big successful thrillers.
This week will probably see no new hit for Korean films and thus should maintain the established order at the box office. With a short movie for film buffs and a collection of independent short films in very limited distribution, only Psychometry has the ability to attract thousands of spectators, but finds itself in the worst possible situations, being released after two big successful thrillers.
Psychometry
(사이코메트리)
Why Hollywood Genre Flicks Need Korean Film, Not Korean Filmmakers
(by Peter Gutiérrez)
Here’s a snobby confession for you: I don’t read the New York Times much for insights into international cinema. But when it recently ran a piece entitled South Korean Crossover in Hollywood, I had to pay attention. Rather predictably it compared and contrasted Bong Joon-ho, Park Chan-wook, and Kim Ji-woon, taking an approach that cited previous waves of foreign-born directors arriving in the US and making the entire issue seem like one of immigration.
Here’s a snobby confession for you: I don’t read the New York Times much for insights into international cinema. But when it recently ran a piece entitled South Korean Crossover in Hollywood, I had to pay attention. Rather predictably it compared and contrasted Bong Joon-ho, Park Chan-wook, and Kim Ji-woon, taking an approach that cited previous waves of foreign-born directors arriving in the US and making the entire issue seem like one of immigration.
Tuesday, March 5, 2013
BIFF 2012: Perfect Number (용의자X, Yong-eui-ja-X) 2012
Part of MKC's coverage of the 17th Busan International Film Festival.
I originally saw Bang Eun-jin’s sophomore film Perfect Number at the Busan International Film Festival last October. I am a big fan of the Japanese book (‘The Devotion of Suspect X’ by Keigo Hegashino) that it was based on and as I felt that the story would be a great fit for Korean cinema my expectations were very high. Too high it seems as I found myself a little disappointed by a film delivering something I wasn’t expecting.
A reclusive math teacher is smitten with his next-door neighbor who lives with her niece. One day her ex-husband comes to visit and a violent altercation ends with his lifeless corpse hitting the ground. The teacher has heard what transpired and knocks on their door. Quiet, composed and intelligent, he offers to help his distressed neighbors.
A reclusive math teacher is smitten with his next-door neighbor who lives with her niece. One day her ex-husband comes to visit and a violent altercation ends with his lifeless corpse hitting the ground. The teacher has heard what transpired and knocks on their door. Quiet, composed and intelligent, he offers to help his distressed neighbors.
Monday, March 4, 2013
KBO: New World Repeats up Top, Stoker Unconvincing (03/1-03/03, 2013)
New World Repeats up Top, Stoker Unconvincing
Title | Release Date | Market Share | Weekend | Total | Screens | |
1 | New World | 13/02/21 | 29.40% | 849,376 | 2,530,048 | 604 |
2 | Miracle in Cell No.7 | 13/01/23 | 25.10% | 777,968 | 11,704,634 | 577 |
3 | Jack the Giant Slayer (us) | 13/02/28 | 19.40% | 545,550 | 659,854 | 507 |
4 | The Berlin File | 13/01/30 | 6.40% | 189,296 | 6,997,749 | 362 |
5 | Stoker (us) | 13/02/28 | 5.80% | 165,408 | 240,639 | 329 |
6 | 12 Chinese Zodiac Heads (cn) | 13/02/27 | 5.20% | 162,566 | 217,242 | 300 |
7 | Delhi Safair (In) | 13/02/21 | 2.50% | 83,606 | 280,563 | 263 |
8 | The Giant King (us/th) | 13/02/21 | 1.00% | 33,808 | 149,067 | 180 |
9 | Sky Force 3D (us, hk) | 13/02/28 | 0.90% | 30,991 | 43,496 | 183 |
10 | An Ethics Lesson | 13/02/21 | 0.60% | 18,065 | 215,985 | 147 |
Saturday, March 2, 2013
MKC Thought Leaders' Corner: February 2013
This month, we take a look at the star system in Korea. February's roster of experts take a look at the many stars in the Korea film industry, many of them hailing from the realms of Kpop and Kdrama. This month's question:
How valuable are stars in the Korean film industry?
Many to thanks to all the contributors for their time and insightful comments. Responses listed alphabetically, followed by the thoughts of MKC's teammembers.
Thursday, February 28, 2013
New Korean Films: Meta-Narratives and Binge Drinking (2013 Week 9)
(by Fabien Schneider)
The program for this week looks quite unique, with only two new films, but two independent productions that both have many similarities: they were screened in the Berlinale this month, and propose experiments with narrative. Nothing that could shake the top of the current box office of course, but it will be interesting to see which of these two movies will get the most endorsement from the public.
Nobody's Daughter Haewon (누구의 딸도 아닌 해원)
Tuesday, February 26, 2013
Divorce, Korean Style: All About My Wife (내 아내의 모든 것, Nae Anaeui Modeun Geot) 2012
(by Rex Baylon)
There used to be a time when America was known as a manufacturing giant. In agriculture, electronics, and automobile design America seemed not to have any contenders. With regards to film, Hollywood was the first and last word when it came to cinema. Even as the US began its slow decline, the soft power of American cinema never seemed to waver even through all the social upheaval of the twentieth century; while presidents came and went, one hit wonders rose and fell, and wars were won or lost, Hollywood never lost its luster in the eyes of foreign and domestic audiences.
Monday, February 25, 2013
For Eternal Hearts (별빛 속으로, Byeolbit Sokeuro) 2007
(by refresh_daemon)
There is an almost early Korean New Wave sensibility to the storytelling of For Eternal Hearts with its loose, observant narrative, that gives it an almost art-film like aesthetic, but the film's rather forced and self-cancelling narrative fails to build any significant dramatic tension, even despite throwing in several twists, to elevate this romance-less supernatural romance film from its murky story and visuals.
It all starts with a German literature professor, Hyeon Suyeong (Jeong Jin-yeong), who runs into a classroom full of students who ask him to recount his first love. He then tells of how as a young man (Jeong Gyeong-ho), he was taken by a spunky fellow student, nicknamed Pippi (Kim Gyu-ri), but shortly after he meets her, she commits suicide following a few cryptic comments about following love into death. However, shortly after her death, Suyeong starts seeing Pippi and she leads him to a job tutoring a high school student, Suji (Cha Su-yeon), who is instantly infatuated by Suyeong, but things are not what they seem.
KBO: Close Race as New World Beats Miracle (02/22-02/24, 2013)
Close Race as New World Beats Miracle
Title | Release Date | Market Share | Weekend | Total | Screens | |
1 | New World | 13/02/21 | 35.50% | 860,754 | 1,038,890 | 671 |
2 | Miracle in Cell No.7 | 13/01/23 | 33.10% | 855,942 | 10,386,785 | 667 |
3 | The Berlin File | 13/01/30 | 12.00% | 303,727 | 6,608,013 | 440 |
4 | An Ethics Lesson | 13/02/21 | 4.30% | 104,494 | 145,437 | 302 |
5 | Delhi Safari (In) | 13/02/21 | 3.30% | 90,837 | 110,358 | 289 |
6 | How to Use Guys With Secret Tips | 13/02/14 | 2.10% | 56,007 | 454,704 | 223 |
7 | The Giant King (us/th) | 13/02/21 | 1.80% | 52,646 | 66,897 | 228 |
8 | A Good Day to Die Hard (us) | 13/02/06 | 1.60% | 40,442 | 1,422,089 | 169 |
9 | The Last Stand (us) | 13/02/21 | 1.40% | 34,220 | 44,280 | 296 |
10 | Marco Makaco (de) | 13/02/14 | 0.80% | 22,656 | 159,640 | 131 |
Friday, February 22, 2013
Park Chan-wook's Stoker (2013)
Hollywood has a history of cherry-picking the world’s greatest filmmaking talents. Though many greats such as Billy Wilder, Fritz Lang, F.W. Murnau and Roman Polanksi have made some of their finest works on American soil, the same can’t always be said of Asian directors. Besides Ang Lee, most Asian cineastes have had trouble adapting their style to the US. This year all eyes are on a few Korean directors making their Hollywood debuts to see if they can buck the trend.
It’s been a longer wait then usual for Park Chan-wook’s new film and the prospect of him working in the States with internationally recognizable faces has meant that expectations for his latest have been sky high. Unlike Kim Jee-woon, who was forced to work on a very controlled project with his Hollywood debut The Last Stand, Park was given much greater freedom for his film.
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