KBO: Skyfall Ends Masquerade's 6-Week Reign (10/26-10/28, 2012)

Skyfall Ends Masquerade's 6-Week Reign

	Title	Release Date	Market Share	Weekend	Total	Screens
1	Skyfall (us/uk)	10/26/11	45.60%	870,836	871,823	749
2	Masquerade	9/13/12	20.90%	412,777	10,944,763	503
3	Perfect Number	10/18/12	16.80%	325,268	1,233,658	436
4	Almost Che	10/25/11	6.00%	119,294	158,827	358
5	Brave (us)	9/27/12	1.90%	42,088	1,186,522	153
6	A Company Man	10/11/12	2.20%	40,652	1,091,606	261
7	Looper (us)	10/11/12	2.00%	36,434	548,015	181
8	Paranormal Activity 4 (us)	10/25/11	1.70%	34,918	43,274	173
9	Lawless (us)	10/25/11	0.60%	10,603	16,722	170
10	Dangerous Liaisons	10/11/12	0.30%	5,998	293,263	70

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Barbie (바비, 2012)

Though I have long been a fan of the aesthetic merits of Korean cinema, I also realize that there exists a dark side to Korean culture, a pervasive materialism that often favors beauty and perfection above all else. Designer goods and Western trappings have quickly become staples of life for modern urban Koreans. So as Korea has leapt forward in the rush of globalization, what has been lost? Director Lee Sang-woo, with his new feature Barbie, cuts right through the façade as he exposes the dark underbelly of contemporary consumerism.

A young girl (Soon-young) takes care of her sister (Soon-ja) and their mentally-ill grandfather while their mercenary uncle (Mang-tek) hatches a plan to sell her to a wealthy American. The American arrives in town with his daughter but Soon-young doesn’t want to abandon her family. The sickly Soon-ja, who plays with her Barbie and wears makeup, desperately wants to take her place. Meanwhile the American is harboring a secret.

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WKR: More From Busan and Doomsday Book Plays Toronto After Dark (10/20-10/26, 2012)

A few more reviews trickle in from Busan while Doomsday Book plays at Toronto's After Dark Festival.

UPCOMING FILMS

Azooma

(Variety, October 20, 2012)

Juvenile Offender

(Film Business Asia, October 26, 2012)

The Russian Novel

(The Hollywood Reporter, October 25, 2012)

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KCN: Success of Korean Films and Local Festivals on Horizon (10/18-10/24, 2012)

More festivals on the way and continued success of Korean film at the local box office.

KOREAN CINEMA NEWS

Korean Films Around the World
As The Thieves breaks the 13 million mark and admissions overtake 10 million for Masquerade, interest in Korean cinema abroad is geting stronger. The Korean Cultural Center in Washington D.C. will screen Choo Chang-min, director of Masquerade’s previous film, Late Blossom (2011). It will be shown at 6:30pm on 25th October. Director Kim Ki-duk’s Pieta, recipient of the Golden Lion Award at Venice, will be released across the U.S. through Drafthouse Films in 2013. (KoBiz, October 23, 2012)

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KBO: Masquerade Streak Continues After Tight Finish (10/19-10/21, 2012)

Masquerade Streak Continues After Tight Finish

	Title	Release Date	Market Share	Weekend	Total	Screens
1	Masquerade	9/13/12	32.50%	545,866	10,255,655	619
2	Perfect Number	10/18/12	32.50%	534,306	632,824	553
3	A Company Man	10/11/12	11.20%	176,295	963,201	399
4	Looper (us)	10/11/12	6.70%	104,853	453,391	302
5	Brave (us)	9/27/12	3.20%	57,888	1,139,057	248
6	Ghost Sweepers	10/3/12	2.50%	43,776	935,762	218
7	The Assassins (ch)	10/18/12	2.30%	39,101	49,038	227
8	Dangerous Liaisons	10/11/12	2.40%	38,750	255,172	248
9	Lawless (us)	10/18/12	1.90%	30,803	46,713	275
10	Infinite Concert 3D	10/18/12	2.10%	25,313	31,395	84

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WKR: Busan Winds Up (10/13-10/19, 2012)

Few more pieces come in from Busan as the festival wraps up, not to mention some reviews of brand new films on the Korean marquees.

UPCOMING FILMS

Doctor

(Variety, October 14, 2012)

National Security

(Film Business Asia, October 19, 2012)

(Modern Korean Cinema, October 13, 2012)

Touch

(Word From the ROK, October 13, 2012)

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KCN: Deals Made at BIFF, Masquerade Still King (10/11-10/17, 2012)

BIFF Wraps up while a swath of deals while Masquerade continues to set records.

KOREAN CINEMA NEWS

17th BIFF Shows Maturity Both as an Event and in Audience Viewing Culture

“As the number of the festival days has gone up, so has the maturity level of the audience.” said Lee Yong-kwan, BIFF Festival Director, about this year's edition. At the closing press conference held on 13th October, LEE said “The Busan Cinema Center has now firmly been established as the main venue of the festival. We need to explore further how to make best use of the Nampo area.” (KoBiz, October 16, 2012)

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KBO: Masquerade Goes for 5-in-a-Row and on Track for 10 Million (10/12-10/14, 2012)

Masquerade Goes for 5-in-a-Row and on Track for 10 Million

	Title	Release Date	Market Share	Weekend	Total	Screens
1	Masquerade	9/13/12	36.80%	683,845	9,344,967	675
2	A Company Man	10/11/12	27.00%	468,300	576,744	549
3	Looper (us)	10/11/12	11.60%	201,278	250,121	386
4	Ghost Sweepers	10/3/12	5.70%	112,637	844,889	316
5	Dangerous Liaisons	10/11/12	6.00%	106,821	139,370	334
6	Brave (us)	9/27/12	4.70%	90,114	1,072,603	325
7	Taken 2 (us)	9/27/12	3.40%	58,376	2,267,568	281
8	Frankenweenie (us)	10/11/12	1.60%	26,638	30,327	226
9	Spy	9/20/12	0.70%	13,311	1,302,020	105
10	Ted (us)	10/3/12	0.70%	11,685	256,849	80

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BIFF 2012: National Security (남영동1985, Namyeong-dong 1985) 2012

Part of MKC's coverage of the 17th Busan International Film Festival.

Corruption, injustice and terror have always been a sad reality of politics. Over the years, many filmmakers have gone to great lengths (sometimes even putting their lives in peril) in a bid to give a voice to the victims of political malfeasance and to shed light on the frequently covered-up truths within the halls of power. Notable examples include Pontecorvo’s The Battle of Algiers (1966) and Costa-Gavras’ Z (1969). Among the pantheon of political works it is true that those that endure are the ones that shock, works that can elicit an audible gasp from audience members. However, a filmmaker must be careful not to go too far and should also pay due consideration to narrative and filmic requirements when presenting a politically charged narrative on screen.

Chung Ji-young made a big comeback following a 13-year absence this time last year when Unbowed debuted at the 16^th edition of the Busan Film Festival. Hot on its heels and proving that it wasn’t a fluke, he has returned with a searing indictment of the brutal Chun Doo-hwan administration that terrorized Korea for the better part of the 1980s.

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BIFF 2012: Closing Press Conference - Awards and What's in Store for 2013

Part of MKC's coverage of the 17th Busan International Film Festival.

The 17th Busan International Film Festival just held its Closing press conference at which the award winners of the event were announced. Festival director Lee Yong-Kwan was in attendance along with the following Jury members: Jean-Marie Gustave Le Clezio; David Gilmour (New Currents Jury); Arturo Ripstein (Flash Forward Head Jury), Mun Jeong-hyun (BIFF Mecenat Jury); Min Yong Keun (Sonje Jury); Melis Behlil (FIPRECI Jury); and Beck Una (NETPAC Jury).

Though not really a competition festival, there are nevertheless many sponsored, audience and press association awards handed out at the festival in addition to BIFF's own short and documentary prizes. However, the most significant prizes are the New Currents and Flashforward awards which are given to the best first or second feature from Asian and non-Asian filmmakers respectively. Those went to 36 and Kayan for the former and Flower Buds for the latter.

36, from Thailand, also picked up the FIPRESCI prize but the big winner at this year's Busan Film Festival was O Muel's Jeju Island massacre pic Jiseul which walked away with four awards, including the CGV Movie Collage Award, the DGK Awards for Best Director (shared with Russian Novel's Shin Young-shick) and the NETPAC Jury Award. Shin Su-won's Pluto, Chung Ji-young's National Security and Lee Dongku's Fatal, three of the most hyped films of the fest, were left empty-handed but again, as this is not a big competition festival, this shouldn't really hurt their prospects.

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WKR: Busan Showcases New Korean Films, The Thieves Opens Stateside (10/06-10/12, 2012)

A raft of Busan reviews as the festival is in full swing! The Thieves also gets a few big broadsheet writeups in the US after opening there on limited release.

UPCOMING FILMS

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BIFF 2012: Pluto (명왕성, Myeongwangsong) 2012

Part of MKC's coverage of the 17th Busan International Film Festival.

Film festivals can be a great place to catch up with big films from established luminaries of world cinema but for the ardent cinephile, the most exciting thing is to make a fresh discovery. With patience and some discerning selecting, you will almost always come away with a few pleasant surprises but, while it is wonderful to stumble upon an accomplished debut or sophomore films from emerging talents in the field, every so often you will see something that gives you a special feeling. It is an unmistakable sense of being part of something new and exciting, in the presence of an artist with raw talent, effortless ability and an intuitive understanding of film. These spine-tingling moments don’t happen at every festival but when they do it makes all the searching worthwhile.

Shin Su-won’s second feature Pluto gave me this feeling. However, before singing too much of its praises, I should say that it is a flawed work. More than the film itself, it is the potential of the director that gave me goosebumps. Without a doubt, Shin is about to be a major player in Korean cinema and could well become a force on the international scene before long.

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