Part of MKC's coverage of the 25th Busan International Film Festival. By Pierce Conran After opening the festival in 2018 with Beautiful...

Part of MKC's coverage of the 25th Busan International Film Festival. By Pierce Conran Documentary filmmaker Park Hyuck-jee, known for t...

Part of MKC's coverage of the 25th Busan International Film Festival. By Pierce Conran Given that it successfully ousted a president aft...

Part of MKC's coverage of the 25th Busan International Film Festival. By Pierce Conran Two Korean masters of arthouse cinema join forces...

Part of MKC's coverage of the 25th Busan International Film Festival. By Pierce Conran Three years after his abrasive debut Park Hwa-you...

By Pierce Conran With a few hours left in 2019, it’s time to look back at the decade that was for Korean cinema. The industry really ...

By Pierce Conran You won't find any big surprise at the top of this list, but beyond the obvious choice for best film of the year...

By Pierce Conran Thanks to Lee Chang-dong and a few late year surprises, 2018 saw the Korean film industry churn out enough quality p...

By Pierce Conran Beauty and obsession go under the knife in Juhn Jai-hong’s debut Beautiful (2008), a clinical observation of desir...

By Pierce Conran Ten years after her feature debut What Are We Waiting For? , documentarian Kim Hyun-kung returns with an intimate fi...

By Pierce Conran After what had been a slow year Korean cinema received a huge shot of adrenaline with  Assassination , the latest f...

By Pierce Conran One of the more high profile among the many China-Korea collaborations of the last few years (prior to the THAAD-rela...