Ingenue Kim Go-eun gets her first top billing in director Hwang In-ho’s uneven and sadistic revenge thriller Monster . Exhibiting the sa...

By Pierce Conran Korean horror has been in the midst of a rough streak for the past half decade. Relying on worn out themes, new works b...

By Pierce Conran When making films based on significant milestones in a country’s history, nationalism can be a great asset in a filmma...

By Pierce Conran Expectations play a large role in how we consume and react to cinema, particularly in the commercial realm. Genre fo...

By Pierce Conran Roaring Currents has turned the Korean opening weekend record to rubble with 3.34 million admissions ($25.65 million) ...

By Hieu Chau The Korean Film Festival in Australia returns for its fifth year, bringing with it a slate of the country’s must-see f...

By Pierce Conran With big stars and a hefty budget, Kundo: Age Of The Rampant marches into theaters with confidence and tongue pla...

By Pierce Conran To date, the summer of 2014 has seen the majority of mainstream Korean films fall into either of two categories: the...

By Hieu Chau Australian fans of Korean cinema have much to be excited about as some of MKC's favourite films of the past year wi...

By Hieu Chau After an impressive showing at this year’s Cannes Film Festival, July Jung’s film, A Girl At My Door ( Doheeya ), has b...

By Pierce Conran If you feel that tough genre fare in Korea has been spinning its wheels of late, you're not alone. While genera...

By Pierce Conran Screening in the Cannes Film Festival's Un Certain Regard section this year is A Girl at My Door , a film tha...