Part of MKC's coverage of the 18th Busan International Film Festival. Korean thrillers have earned a reputation for consisten...

Simplicity is in rare supply in Korean cinema these days, so when a film like Koala comes along, it does so as a breath of fresh air. Na...

Dapper dresser and Third Window Films founder Adam Torel is an important figure for English speaking Asian cinema fans. His company has ...

Part of MKC's coverage of the 18th Busan International Film Festival. Kim Ki-duk has shocked many a festival/arthouse audience over...

Part of MKC's coverage of the 18th Busan International Film Festival. What is it that drives us to the cinema, time and again?...

It’s no secret that South Korea has for the last few decades been a wellspring for foreign animators to outsource their grunt work to, t...

First off, apologies to all MKC readers for the significant recent lack of updates. The month leading up to the Busan Film Fest is alwa...

The Spy (스파이) A secret agent working on a delicate issue menacing the security of the country is sent to Thailand to dislodge a terr...

Playboy Bong (아티스트 봉만대) A producer visits one of his directors on his shooting location in Bali, and is clearly not satisfied with t...

Fatal (가시꽃) An unpopular high school student is lead by a band to break into a girl’s place and forced to rape her with them. Ten ye...

Though absent from Korean marquees this year until now, the period Korean film makes a big comeback with the release of Han Jae-rim'...

The Chuseok Film Festival, which will screen a variety of Korean films with English subtitles, is set to have its first edition during nex...