Korean films have been selling well at Cannes this week, Criterion has caught up with the times, and 3D Korean films are beginning to mak...

With Cannes underway we await with bated breath to see if any Korean films will walk away with some trophies.  For now some industry news ...

Lots of festival news this week as well as a few reports on the state of the Korean Film Industry. This week also features some interviews ...

I moved this past week and was without internet and phone for a few days until a few moments ago, so I apologize for the delay in this cyc...

"The difficulty of separating the ego instinct (which he [Freud] equated with death) from the sexual instinct (which he equated with li...

A varied selection of articles this week which highlight Korean films at worldwide festivals and upcoming releases which will open througho...

Jang Jin’s 10th feature, Romantic Heaven , is an interwoven omnibus film which features three linked stories that deal with themes such as...

Production values add to the atmosphere Along with Moss and Bedevilled , Bestseller is one last year’s rural-set films where local vi...

Kim Dae-woo is running the risk of stereotyping himself, but when the result is a film like The Servant (2010), is this a bad thing? After...

A lot of festival news this week as the lineups to Canne and the Udine Far East Film Festival were announced.  I have decided to cover Kor...

Steamy sex scenes Eclectic director Yu Ha’s fifth feature explores yet a new generic territory, after drama in Marriage Is a Crazy Thing...

Great production values Song Hae-sung’s A Better Tomorrow is a flashy remake of John Woo’s seminal 1986 classic which tries hard to re...