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By Pierce Conran
I’m glad that I’m not a particularly big horror buff, because if I was, Korean cinema would seem like a real letdown these days. The last few years have done little to convince anyone of the quality, and frankly necessity, of K-horror. Once a strong niche revenue driver for the industry, with a number of interesting if not always stellar entries finding their way to theaters and DVD, of late about three increasingly lackluster productions get dropped on the marketplace per annum. It’s a story of diminishing returns, as the genre seems to be on the way out. At least until something or someone can come along to save it…
I’m glad that I’m not a particularly big horror buff, because if I was, Korean cinema would seem like a real letdown these days. The last few years have done little to convince anyone of the quality, and frankly necessity, of K-horror. Once a strong niche revenue driver for the industry, with a number of interesting if not always stellar entries finding their way to theaters and DVD, of late about three increasingly lackluster productions get dropped on the marketplace per annum. It’s a story of diminishing returns, as the genre seems to be on the way out. At least until something or someone can come along to save it…
2012’s third K-horror Two Moons, following the soporific Don’t Click and the frustrating Horror Stories, is definitely not the messiah that will save the struggling genre. Director Kim Dong-bin previously made the horrors Ring Virus (1999) and Red Eye (2005), both of which were warmly received by audiences or critics. With pretty much nothing going for it, his latest is one of the worst K-horrors to be released in years.
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