Showing posts with label the truth shall not sink with sewol. Show all posts
Showing posts with label the truth shall not sink with sewol. Show all posts

Friday, April 17, 2015

New Korean Films: People Who Lend a Hand (2015 Week 15)

Black Hand
(검은손)


By Fabien Schneider

Jung-Woo is a married man, but he also has a secret relationship with Yoo-gyeong, one of the doctors he’s working with in a hospital. He works there as a neurosurgeon, but also does research on bioengineering. One day, Yoo-gyeong gets her right hand cut off under strange circumstances. But thanks to Jung-Woo’s reflexes and his skills, he manages to do the operation to put it back on her arm. During the following days, while Yoo-gyeong seems to have perfectly recovered, she starts to lose her mind. When asked, she pretends that there is now someone else in her.

Monday, January 26, 2015

News: Busan Asks BIFF Director to Step Down, He Refuses (2nd UPDATE)


By Pierce Conran

2nd Update (01/27) - Though the basic facts remains the same (refer to the original post and 1st update below), here is some clarification on the current situation, as explained in a Screen Daily article:
  • Last Friday (January 23rd), BIFF Director Lee Yong-kwan met with Jung Gyung-jin, Busan's vice mayor for administrative affairs, and culture and tourism bureau director-general Kim Kwang-hee. Citing the poor results of a recent audit (which were not shared with Lee), they suggested he should step down. Lee inquired as to whether they were conveying Busan Mayor Suh Byung-soo's opinion. They confirmed this to be the case.

Thursday, October 16, 2014

Busan 2014 Review: THE TRUTH SHALL NOT SINK WITH SEWOL Invokes Tears And Outrage


Part of MKC's coverage of the 19th Busan International Film Festival

By Pierce Conran

The Sewol Disaster, the most significant event to rock South Korea since the IMF Crisis in 1997, gets its first big screen treatment with The Truth Shall Not Sink With Sewol, the first of what are sure to be many documentaries exploring the subject. Rather than offer an overview of the event and the many issues plaguing Korean society it uncovered, this film from Lee Sang-ho and Ahn Hae-ryong wisely examines only a small portion of the incident. Yet even the narrow avenue it walks uncovers a mountain of upsetting truths concerning the conduct of government and the press during the immediate aftermath of the sinking.