Top 10 Korean Films of 2013

The time has come once again for me to sit down and think about all the new Korean films I had the opportunity to see in 2013 and come up with my favorites. This year, I had a lot to choose from for this ritual as I've seen about 120 local films, so the task proved more difficult than usual.

With 127 million tickets sold and a remarkable nine Korean films featuring in the yearly top ten at the box office, 2013 was a huge year for Korean cinema. Prosperity does not always mean quality and the last few years have been disappointing as far as commercial Korean films have been concerned. Thankfully, in 2013 the industry succeeded in both attracting viewers to multiplexes and putting out high quality fare. That said, I still find myself more partial to the more fertile grounds of independent cinema, as seven low budget films made the list this year. While two films truly blew me away over the last 12 months today's industry still isn't putting out quite the same amount of gems as it was around ten years ago.

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Korean Box Office: Friend 2 Wins Again as Hunger Games Fails to Catch Fire

Business was a bit slow this past weekend as all the holdovers suffered heavy falls and none of the new releases caught fire. 1.85 million tickets were bought over the frame, down almost 20% from last year. The market share was evenly spread as local releases took a thin edge with 51%, this was down from 72% this time last year.

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Busan 2013 Review: The Fake Is a Bleak and Devastating Experience

Part of MKC's coverage of the 18th Busan International Film Festival.

Terrible things happen all the time but it's easy to ignore what goes on around us. Sometimes, we even fail to see what's right in front of us. Independent films, at least those with a realistic bent, frequently attempt to educate us by plainly us showing the realities of the world we live in but they don't always move us the way filmmakers would like them to. Sometimes it's the fault of poor storytelling, mise-en-scene or acting, but more often than not, the fault lies with us. Among the reasons that we avoid what is plain to see is the diluted effect of these narratives, after decades of similarly minded cinema.

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