Showing posts with label shin ha-gyun. Show all posts
Showing posts with label shin ha-gyun. Show all posts
Tuesday, January 27, 2015
Coming Attractions: Can EMPIRE OF LUST Keep the Fires of the Period Drama Burning?
By Rex Baylon
The period drama boom in the Korean film industry seems to show no signs of abating as March will see the release of Empire of Lust, Ahn Sang-hoon's third feature after Arang (2006) and Blind (2011). The film stars Shin Ha-kyun (Save the Green Planet, 2003), playing Kim Min-jae, the supreme commander of the Joseon dynasty, Jang Hyuk (The Flu, 2013) as the king's son, and Kang Ha-neul (Mourning Grave) as Min-jae's hedonistic son.
Tuesday, June 26, 2012
Café Noir (카페 느와르, Kape Neuwareu) 2009
The burden of expectation can sometimes be a heavy weight to bear and after a little too much of it, many films simply crumble. In 2009, an indie Korean film clocking in at three and a half hours began to make the rounds of the festival circuit and attracted some very positive attention. After a full year screening at various events it was finally accorded a domestic release in late December 2010 but, like the vast majority of independent features, it failed to find an audience in Korea. A number of people (myself included) patiently awaited its DVD release but it never came… until now. After premiering at the Busan Film Festival in October 2009, Café Noir was finally released on DVD in June 2012.
While I can’t say exactly why the wait for the disc was so long, I can, to some extent, understand it. Here is a film with an enormous running time, some heavy source texts (Goethe and Dostoyevsky), painfully long takes and a fairly significant dollop of pretension; it is also the debut film of a long-standing film critic. Just one of these elements is dangerous enough to ward off all but the most adventurous film viewers but taken together it’s true that this film could only ever appeal to a very select crowd.
Tuesday, August 16, 2011
The Quiz Show Scandal (Kwijeu Wang) 2010
At first, I wasn’t too exited about The Quiz Show Scandal
despite the fact that it is a recent effort from one of my favorite Korean
filmmakers. There has been very little buzz surrounding it, which is strange
for a Jang Jin film. I cannot express my delight as the film unspooled and
grabbed me from the opening minutes. It is a wonderful ensemble piece stuffed
with sparkling dialogue and surely one of the funniest Korean films of the last
few years.
The Quiz Show |
It is often the case that while Korean thrillers, horrors, and certain romance films make the leap into foreign territories, comedies have
a little more trouble accomplishing this. There are certainly some films with
elements of humor that have crossed over, such as Save the Green Planet (2003)
and The Host (2006) but few outright comedies have managed this feat. The
obvious reason for this is a language barrier or a cultural gap. You can’t
really laugh at a joke on a subject of which you know nothing about. Korean
comedies often suffer from this, at least from a foreigner’s perspective. Those
comedies that can be understood by westerners are often simplistic and not
always the most shining examples of the genre, the Marrying the Mafia and My Wife Is a
Gangster series come to mind.
The more sophisticated the comedy the more likely
it is to go over our heads. Jang Jin’s films have definitely suffered from this
from time to time due to the fact that he has such a keen wit and is so
articulate. He has both those things in spades, but in Korean, which means that some
elements may fall by the wayside. But every so often there is a film that breaks through that
is both intelligent and jaw-droppingly hilarious. Lee Hae-joon did it with
Castaway on the Moon (2009), Jang Jin did it with his script for Going By the
Book (2007) and he’s now done it again with The Quiz Show Scandal.
Jeong Jae-yeong in a great cameo |
Like in his previous films, his ever-inventive scripts are
brought to life by the excellent ensemble casts he surrounds himself with. Ryoo
Seung-yong, Kim Soo-ro, Song Yeong-chang, Kim Byeong-ok, Lee Moon-so, and Im
Won-hee are only some of standouts in the stellar cast, which is supplemented
by uproarious cameos from Shin Ha-gyun and Jeong Jae-yeong as well as Jang
himself.
While it may not have the political rhetoric of Good Morning
President (2009), the North-South rapprochement themes of Welcome to Dongmakgol
(2005), the criticism of the media of Murder, Take One (2005) or the indictment
of authority of Going By the Book, The Quiz Show Scandal uses a clever premise
and razor-sharp dialogue as it light-heartedly explores what it means to be
intelligent.
After a few opening scenes which loosely give us an idea of
the characters that populate the mosaic script, they are all thrown together
into a police station for the better part of 30 minutes of screen time. A woman
has been run over and they are all somehow involved but they don’t know
eachother yet. Most of this extended sequence does absolutely nothing to
advance the narrative but it brilliantly shows us who these characters are.
Suddenly we are given a piece of information, the woman’s USB stick features
the answer to the 30th and final question of a very difficult TV
quiz show, no one has answered it before and the rolling jackpot is enormous.
All our variegated protagonists need to do is get to that 30th
question. What follows isn’t surprising but due to its dialogue and characters,
it feels like a much more substantial film than it ought to.
Arguing over toy cars |
The comedy is truly top notch and I think that anyone could
appreciate it. Some gems include the banner to a depression group that reads
“We’re not depressed, we’re just less exited than everyone else”, and the
pedantic argument that stems from which model of toy car the characters are
being represented with as the police try to reconstruct the scene of the accident
at the precinct. Another great bit in the opening scenes, which could only come
from the mind of Jang Jin is when a pair of gangsters, who are torturing and
preparing to kill someone, argue about the provenance of a quote, which the
first identifies as Pavarotti while the latter corrects him by pointing out
that it was from Goethe’s Faust.
Without spoiling anything else I would urge you to
immediately seek out this wonderful film, it is definitely one of Jang’s best.
Reviews and features on Korean film appear regularly on Modern Korean Cinema. For film news, external reviews, and box office analysis, take a look at the Korean Box Office Update, Korean Cinema News and the Weekly Review Round-up, which appear weekly on Monday, Wednesday, and Friday mornings (GMT+1).
To keep up with the best in Korean film you can sign up to our RSS Feed, like us on Facebook, or follow us on Twitter.
Reviews and features on Korean film appear regularly on Modern Korean Cinema. For film news, external reviews, and box office analysis, take a look at the Korean Box Office Update, Korean Cinema News and the Weekly Review Round-up, which appear weekly on Monday, Wednesday, and Friday mornings (GMT+1).
To keep up with the best in Korean film you can sign up to our RSS Feed, like us on Facebook, or follow us on Twitter.
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