Review: THE KING AND THE CLOWN is a Bawdy, Heartfelt Period Classic

By Chris Horn

There’s no question that Korean period films have continued to increase in popularity in recent years as three of the top ten grossing Korean films by ticket admissions are set during the Joseon dynasty. As Korean studios allocate increasing resources to the next big period films they would do well to study Lee Joon-ik’s masterful The King and the Clown. Not only does Lee capture a thematically interesting story rounded out by compelling performances, but The King and the Clown is brilliant in its sympathetic look at all levels of Joseon society.

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News: Choi Dong-hoon's Period-Thriller ASSASSINATION Wraps

By Pierce Conran

Choi Dong-hoon's much anticipated period action-thriller Assassination wrapped its shoot on January 31st in Paju, Korea, after having begun in Shanghai back on August 27th last year.

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Review - DETECTIVE K: SECRET OF THE LOST ISLAND, Another Underwhelming Korean Period Action Comedy

By Pierce Conran

Detective Kim is back with his trusty sidekick Seo-pil in the follow up to 2011’s hit period action-comedy Detective K: Secret of the Virtuous Widow. A hodgepodge of genres delivered at breakneck speed, this new instalment, subtitled Secret of the Lost Island, comes on the heels of a raft of period successes, and will again open during the busy Lunar New Year period.

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Review: THE ROYAL TAILOR Spins a Colorful Period Yarn

By Pierce Conran

Period dramas are all the rage in Korea at the moment, but while some have been setting records at the box office (such as Roaring Currents), not all have been successful. No film is a guaranteed hit but period productions are a costlier gamble than most and with those risks come certain strings. The Royal Tailor, a King’s court drama with a penchant for colorful fashion and plenty of humor, is a fine sophomore effort from Lee Won-suk, if one that feels bound by certain restrictions and obligations, particularly in its final act.

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News: Jung Woo-sung to Hunt Monsters in New Period Film

In the midst of the incredible popularity of Korean period films, yet another production has been announced. Jung Woo-sung has boarded Jakseoui Byeon - Attack of the Water Monster (a literal translation of the Korean title). A Joseon Era creature feature, the film be helmed by Chaw (2009) director Shin Jung-won.

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23 Most Anticipated Korean Films of 2015

By Pierce Conran

Last year was a rough one for Korea's mainstream industry, at least creatively speaking. There were some big hits but not a lot of memorable fare, though the independent sector thrived. Thankfully, 2015 has a much more exciting lineup right off the bat. Major filmmakers like Park Chan-wook, Na Hong-jin, Ryoo Seung-wan, Im Sang-soo and Choi Dong-hoon are set to return and though period films and thrillers once again dominate, many upcoming projects feature promising combinations of talent and content.

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Busan 2014 Review: Strong Effects Play Second Fiddle to Patriotism in ROARING CURRENTS

Part of MKC's coverage of the 19th Busan International Film Festival

By Pierce Conran

When making films based on significant milestones in a country’s history, nationalism can be a great asset in a filmmaker’s arsenal but it’s also a tool that must be handled carefully, as too much patriotic bombast can mar an otherwise captivating story. Alas, the new period epic Roaring Currents, which chronicles one of Korea’s most famed victorious, falls into that category. Formidable effects and a fascinating historical event, akin to a Korean version of 300 on boats, plays second fiddle to sensationalized heroism in this epic war reenactment.

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Busan 2014 Review: Cool KUNDO: AGE OF THE RAMPANT Has Some Swagger In Its Step

Part of MKC's coverage of the 19th Busan International Film Festival

By Pierce Conran

With big stars and a hefty budget, Kundo: Age Of The Rampant marches into theaters with confidence and tongue planted firmly in cheek. This hybrid period film owes more to spaghetti westerns than the history of its Joseon Era setting and some may take umbrage at the film's excessive running time, but with a raucous charm and an array of well-mined genre tropes, it's sure to keep most spectators satisfied.

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Review: Strong Effects Play Second Fiddle to Patriotism in ROARING CURRENTS

By Pierce Conran

When making films based on significant milestones in a country’s history, nationalism can be a great asset in a filmmaker’s arsenal but it’s also a tool that must be handled carefully, as too much patriotic bombast can mar an otherwise captivating story. Alas, the new period epic Roaring Currents, which chronicles one of Korea’s most famed victorious, falls into that category. Formidable effects and a fascinating historical event, akin to a Korean version of 300 on boats, plays second fiddle to sensationalized heroism in this epic war reenactment.

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Review - Cool KUNDO: AGE OF THE RAMPANT Has Some Swagger In Its Step

By Pierce Conran

With big stars and a hefty budget, Kundo: Age Of The Rampant marches into theaters with confidence and tongue planted firmly in cheek. This hybrid period film owes more to spaghetti westerns than the history of its Joseon Era setting and some may take umbrage at the film's excessive running time, but with a raucous charm and an array of well-mined genre tropes, it's sure to keep most spectators satisfied.

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Masquerade (광해, 왕이 된 남자, Gwang-hae, Wang-i Doin Nam-ja) 2012

by Simon McEnteggart

Mark Twain's seminal novel 'The Prince and the Pauper' has long endured as a classic for the manner in which it exposed the gulf between the upper and lower classes. The trials and tribulations that Prince Edward and Tom Canty undertake allowed Twain to explore the vast lifestyle differences amongst the 'haves' and 'have nots', with each protagonist utilising their prior experiences to emphasise the hardships and the unfairness evident in both. As a result the story has resonated with audiences of all socio-economic backgrounds, and in today's financial climate, it is perhaps more relevant than ever before.

With Masquerade, screenwriter Hwang Jo-yoon has adapted Twain's novel to Joseon dynasty Korea, with the case of mistaken identity transferred to King Gwang-hae and a lowly comic actor. With its well-structured and highly entertaining script, confident direction from Choo Chang-min and an enthralling set of performances headed by Lee Byeong-heon, Masquerade is without a doubt one of the best films of the year and a testament to the quality of Korea's period dramas.

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