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Part of MKC's coverage of the 19th Busan International Film Festival
By Pierce Conran
Incessantly grim and pushing the three-hour mark, indie helmer Park Jung-bum's Alive is about as challenging a sophomore work as anyone could have dreamt up. And this from a man who debuted with the ferociously bleak The Journals of Musan (2011), a tale of a socially awkward North Korean defector unable to fit into his new surroundings, and whose sole companion, a stray dog, meets a untimely end, leaving his helpless master to fend for himself. Yet, just as that was a devastatingly effective silent wail, this latest work harnesses Park's boiling anger at the injustices that riddle Korean society to create an imposing and austere call to arms.
