Kim Jong-kwan assembles some of the finest actresses working in Korea today for his delightful new drama The Table. In some ways the Korean indie cousin of Jim Jarmusch’s Coffee and Cigarettes, this elegant, delicate and humorous collection of four extended conversations works beautifully as a feature film, unlike the vast majority of omnibuses that are so popular in local cinema.
Showing posts with label lim soo-jung. Show all posts
Showing posts with label lim soo-jung. Show all posts
Wednesday, August 23, 2017
Review: THE TABLE Gathers Quartet of Superb Actresses in Elegant Drama
Kim Jong-kwan assembles some of the finest actresses working in Korea today for his delightful new drama The Table. In some ways the Korean indie cousin of Jim Jarmusch’s Coffee and Cigarettes, this elegant, delicate and humorous collection of four extended conversations works beautifully as a feature film, unlike the vast majority of omnibuses that are so popular in local cinema.
Monday, April 22, 2013
UDINE 2013: Divorce, Korean Style: All About My Wife (내 아내의 모든 것, 2012)
Part of MKC's coverage of the 15th Udine Far East Film Festival.
(by Rex Baylon)
There used to be a time when America was known as a manufacturing giant. In agriculture, electronics, and automobile design America seemed not to have any contenders. With regards to film, Hollywood was the first and last word when it came to cinema. Even as the US began its slow decline, the soft power of American cinema never seemed to waver even through all the social upheaval of the twentieth century; while presidents came and went, one hit wonders rose and fell, and wars were won or lost, Hollywood never lost its luster in the eyes of foreign and domestic audiences.
Tuesday, February 26, 2013
Divorce, Korean Style: All About My Wife (내 아내의 모든 것, Nae Anaeui Modeun Geot) 2012
(by Rex Baylon)
There used to be a time when America was known as a manufacturing giant. In agriculture, electronics, and automobile design America seemed not to have any contenders. With regards to film, Hollywood was the first and last word when it came to cinema. Even as the US began its slow decline, the soft power of American cinema never seemed to waver even through all the social upheaval of the twentieth century; while presidents came and went, one hit wonders rose and fell, and wars were won or lost, Hollywood never lost its luster in the eyes of foreign and domestic audiences.
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