Review: The Delightful and Subtle Nobody's Daughter Haewon Proof of Narrative Genius

By Patryk Czekaj

Hong Sangsoo is an undisputed master of low budget, dialogue-driven, ambiguously satirical films that reveal the truth about human relationships in a most sincere and emphatic way. Due to the alluring but mostly down-to-earth ambiance on the surface, those pictures might look ordinary for first-time viewers. Yet, after subsequent viewings it becomes evident that the pleasure of discovering the genius behind Hong’s creations is a fascinating adventure in itself. Due to an impressive number of distinguishing characteristics, most notably maze-like storylines, uncertain timelines, specifically planned repetitions and well-developed characters, Hong has gained critical acclaim as one of the most imaginative and unconventional Korean art-house directors.

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UDINE 2013: Divorce, Korean Style: All About My Wife (내 아내의 모든 것, 2012)

Part of MKC's coverage of the 15th Udine Far East Film Festival.

(by Rex Baylon)

There used to be a time when America was known as a manufacturing giant. In agriculture, electronics, and automobile design America seemed not to have any contenders. With regards to film, Hollywood was the first and last word when it came to cinema. Even as the US began its slow decline, the soft power of American cinema never seemed to waver even through all the social upheaval of the twentieth century; while presidents came and went, one hit wonders rose and fell, and wars were won or lost, Hollywood never lost its luster in the eyes of foreign and domestic audiences.

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Divorce, Korean Style: All About My Wife (내 아내의 모든 것, Nae Anaeui Modeun Geot) 2012

(by Rex Baylon)

There used to be a time when America was known as a manufacturing giant. In agriculture, electronics, and automobile design America seemed not to have any contenders. With regards to film, Hollywood was the first and last word when it came to cinema. Even as the US began its slow decline, the soft power of American cinema never seemed to waver even through all the social upheaval of the twentieth century; while presidents came and went, one hit wonders rose and fell, and wars were won or lost, Hollywood never lost its luster in the eyes of foreign and domestic audiences.

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