A man travels to Jeju Island, planning to kill himself in his grandparents' abandoned home, in the most intriguing Korean film to grace the Jeonju International Film Festival in 2015. A lushly filmed and thoroughly engrossing mystery channeling local family melodrama norms along with surprising genre tropes and themes of the loss in a hermetic urban society, Island is a deliberately paced and ambitious arthouse production from sophomore auteur Park Jin-seong.
Showing posts with label island. Show all posts
Showing posts with label island. Show all posts
Monday, July 9, 2018
Review: ISLAND, An Elegiac Arthouse Mystery
A man travels to Jeju Island, planning to kill himself in his grandparents' abandoned home, in the most intriguing Korean film to grace the Jeonju International Film Festival in 2015. A lushly filmed and thoroughly engrossing mystery channeling local family melodrama norms along with surprising genre tropes and themes of the loss in a hermetic urban society, Island is a deliberately paced and ambitious arthouse production from sophomore auteur Park Jin-seong.
Tuesday, March 12, 2013
Between Memory and Awareness: Jiseul (지슬) 2012
(by Fabien Schneider)
MKC is co-presenting Jiseul as part of this year's CAAMFest. Film screens on March 15th & 19th. Click here for more details.
Film watched at the 19th Vesoul International Film Festival of Asian Cinema
As soon as the moving silhouettes detaching themselves from the ambient darkness begin to raise their voices, the fire that provided their scant comfort peters out. Suddenly, all of them realize that they are now trapped in the black under a few meters of rock. They do not know how many days they have lurked there like hibernating animals, but one thing is certain, they still need to wait one more day. And then another. Who knows when this nightmare will come to an end? With little historical context, the young director O Muel ruthlessly immerses us into one of the darkest episodes of the Cold War. One that is seldom documented in South Korea, and that the U.S. has preferred to ignore. With a careful, solemn aesthetic, the director tackles the process of remembrance, one equal to that of the dramatic event. Though it will surely be appreciated by the local population as the outlet that they expected for so long, the film remains too hermetic to allow a foreign audience to understand the true value of its drama. Spectators have to make due with a simple introductory text, insufficient and somewhat dubious from a historical perspective.
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