Celebrated indie auteur Hong Sang-soo returns to Toronto with his 18th film Yourself and Yours. Once again featuring artists boozing their way through a series of eateries as they lament over their personal woes, his latest work echoes the themes he's repeated throughout his career. Yet there's a darker than usual tone and less humanity on display here in a duplicitous narrative that appears to deliberately toy with its audience.
Showing posts with label isabelle huppert. Show all posts
Showing posts with label isabelle huppert. Show all posts
Wednesday, July 4, 2018
Review: YOURSELF AND YOURS Finds Hong Sang-soo in Wry and Perplexing Mood
Celebrated indie auteur Hong Sang-soo returns to Toronto with his 18th film Yourself and Yours. Once again featuring artists boozing their way through a series of eateries as they lament over their personal woes, his latest work echoes the themes he's repeated throughout his career. Yet there's a darker than usual tone and less humanity on display here in a duplicitous narrative that appears to deliberately toy with its audience.
Saturday, August 26, 2017
Review: CLAIRE'S CAMERA, Hong Sangsoo's Low-Key Cannes Holiday
By Pierce Conran
Thursday, September 20, 2012
Yeonghwa: Korean Cinema Today 2012 - In Another Country (다른 나라에서, Dareun Naraeseo) 2012
Part of MKC's coverage of the 3rd Yeonghwa: Korean Cinema Today event at NY's Museum of Modern Art. (previously published).
Quick disclaimer before barreling on with my discussion of Hong Sang-soo’s latest: This is the first film I’ve seen in a theater since my move to Korea and I saw it without subtitles and it must be said that my knowledge of Korean is fairly limited. That said, over two thirds of In Another Country is in English and I was able to more or less follow the rest as well. Undoubtedly there were some things I didn’t pick up on, so in the interest of full disclosure I thought I’d mention it.
Quick disclaimer before barreling on with my discussion of Hong Sang-soo’s latest: This is the first film I’ve seen in a theater since my move to Korea and I saw it without subtitles and it must be said that my knowledge of Korean is fairly limited. That said, over two thirds of In Another Country is in English and I was able to more or less follow the rest as well. Undoubtedly there were some things I didn’t pick up on, so in the interest of full disclosure I thought I’d mention it.
Clearly, the most remarkable thing about Hong’s 13th feature is the presence of French screen legend Isabelle Huppert in the lead role. This fact was picked up on by many global news outlets and gave the film some more recognition at this year’s Cannes Film Festival, versus last year when Hong’s previous feature The Day He Arrives was screened. It may also have been what landed it in the main competition. However, while it was well received, it was left out during the closing night’s awards ceremony.
Wednesday, August 22, 2012
KOFFIA 2012: In Another Country (다른 나라에서, Dareun Naraeseo) 2012
Part of MKC's coverage of the 3rd Korean Film Festival in Australia (previously published).
Quick disclaimer before barreling on with my discussion of Hong Sang-soo’s latest: This is the first film I’ve seen in a theater since my move to Korea and I saw it without subtitles and it must be said that my knowledge of Korean is fairly limited. That said, over two thirds of In Another Country is in English and I was able to more or less follow the rest as well. Undoubtedly there were some things I didn’t pick up on, so in the interest of full disclosure I thought I’d mention it.
Quick disclaimer before barreling on with my discussion of Hong Sang-soo’s latest: This is the first film I’ve seen in a theater since my move to Korea and I saw it without subtitles and it must be said that my knowledge of Korean is fairly limited. That said, over two thirds of In Another Country is in English and I was able to more or less follow the rest as well. Undoubtedly there were some things I didn’t pick up on, so in the interest of full disclosure I thought I’d mention it.
Clearly, the most remarkable thing about Hong’s 13th feature is the presence of French screen legend Isabelle Huppert in the lead role. This fact was picked up on by many global news outlets and gave the film some more recognition at this year’s Cannes Film Festival, versus last year when Hong’s previous feature The Day He Arrives was screened. It may also have been what landed it in the main competition. However, while it was well received, it was left out during the closing night’s awards ceremony.
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