By Pierce Conran With a few hours left in 2019, it’s time to look back at the decade that was for Korean cinema. The industry really ...

By Pierce Conran Following Hong Sangsoo's career guarantees for viewers, at the very least, one thing - developing a keen eye for ...

By Pierce Conran Six months after the premiere of Grass at the Berlinale, prolific auteur Hong Sangsoo is back with another black and...

By Pierce Conran Following what turned out to be one of the all-time best years of Korean cinema, 2017 had its work cut out for it, a...

By Pierce Conran Hong Sangsoo and Kim Min-hee are teaming up for the fifth time on a new project that began filming earlier this month...

By Pierce Conran Love him or hate him, Hong Sangsoo has been remarkably consistent with his films, which both offer viewers a familiar...

By Pierce Conran Returning to black and white for the first time since The Day He Arrives (which screened in Un Certain Regard in 2011...

By Pierce Conran Sales have been impressive as box office admissions reached a new peak and local films maintained a +50% market share...

By Pierce Conran Guessing what films might go to Cannes is a bit of a fool's errand, but as those go, it can be a fun one. Korea d...

Prolific auteur Hong Sangsoo is getting ready to shoot his 17th (as yet untitled) film this month after fixing his leading cast. Previous...