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By Pierce Conran
There are many things we demand from films, good stories, strong characters, style… the list goes on. However, more than everything else, there is one thing people clamor for the most, particularly in its absence: originality. We readily point out clichés and stereotypes and are quick to lament the prevalence of the done-to-death scenarios that litter today’s multiplexes. This applies to most films, but there are some, particularly within the heart of the mid-level commercial field, that can sometimes get away with it. The Con Artists, released last month, is such a film.
