Every so often, Korean cinema presents us with a new film, filled with the promise of titillating erotica. Invariably, these turn out to be rather chaste affairs and Casa Amor: Exclusive for Ladies (the original title of which is Working Girl, in English but spelt in Korean), proves to be no exception. However, stylish though it may be, this new work proves more egregious than most, as it hints at the freedom of female sexuality yet ultimately sinks into woefully patriarchal archetypes.
Showing posts with label casa amor: exclusive for ladies. Show all posts
Showing posts with label casa amor: exclusive for ladies. Show all posts
Tuesday, February 3, 2015
Friday, January 9, 2015
New Korean Films: Platonic Romance or Edonist Pleasure? (2015 Week 1)
by Fabien Schneider
After an excessively long break, I am pleased to announce that I am once again ready to make you discover every week the latest productions that find their way to South Korean theaters. Let me remind you the principle of this section: for each film I will briefly present the synopsis, then I will share my own commentary on the expectations that these films generate, the response of the public and critics, the way the film is promoted, and anything that might be relevant to assess the value (or lack thereof) of the film. It goes without saying that these comments are based solely on the information available at the time of writing. Of course, for the vast majority of these films, I would have not seen them before their theatrical release. Do not be surprised then if a movie that I would have viciously criticized turns out to be a wonder. So let's start this week with two very different movies.
After an excessively long break, I am pleased to announce that I am once again ready to make you discover every week the latest productions that find their way to South Korean theaters. Let me remind you the principle of this section: for each film I will briefly present the synopsis, then I will share my own commentary on the expectations that these films generate, the response of the public and critics, the way the film is promoted, and anything that might be relevant to assess the value (or lack thereof) of the film. It goes without saying that these comments are based solely on the information available at the time of writing. Of course, for the vast majority of these films, I would have not seen them before their theatrical release. Do not be surprised then if a movie that I would have viciously criticized turns out to be a wonder. So let's start this week with two very different movies.
Casa Amor: Exclusive for Ladies
(워킹걸)
Bo-hee is a business woman who places her career as the marketer of a toys’ brand before her family. Her husband is sexually frustrated, and his son feels abandoned. But following an unfortunate mistake during a presentation, she finds herself unemployed. As if it wasn’t enough to spoil her day, she comes back home only to find a note from her husband announcing their separation. Hopefully, she’ll attempt to retrieve her fortune by taking an unexpected job. Nan-hee owns a sex shop, and has become a true reference in matters of sex. According to her, the world is divided between women who take pleasure and those who don’t. But despite all her knowledge and experience, she still fails at selling her products. She decides to hire Bo-hee to promote her new line of “toys”.
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