.png)
Ongoing series on classic Korean film recently made available for free and with English subtitles on Youtube courtesy of the Korean Film Archive.
Aside from a few choice selections, remakes have become something of a bane for contemporary cinephiles. They are borne out of commercial interests and, for the most part and almost by default, they are unoriginal. They are also omnipresent on today’s marquees, but this wasn’t always the case. Despite the good examples that do exist, the announcement of a remake almost never inspires much confidence, but what about when a director remakes his own work?
Surprisingly this has happened quite often, mainly when a foreign filmmaker remakes his own successful work for Hollywood. Among the oldest examples are Hitchcock’s British and US versions of The Man Who Knew Too Much (1934 and 1956) or Yasujiro Ozu’s I Was Born But… (1932) and Good Morning (1959), both Japanese. Among the most intriguing ones are Michael Haneke’s almost identical versions of Funny Games (Austria, 1997 and US, 2007): the US version was a fascinating meta-narrative experiment that explored our species' fascination with violence, I’m just not sure it’s what the studio had in mind, despite it being a shot-for-shot copy of the original.
