Cannes 2018 Review: BURNING, a Slow Burn for the Ages

By Pierce Conran

Eight years after his phenomenal drama Poetry, Lee Chang-dong makes a long-awaited return to the Cannes competition with his sixth film Burning, an adaptation of Haruki Murakami's short story 'Barn Burning'. Dense with symbolism, this tour de force burrows towards the ineffable as it gradually builds palpable tension through a mystery that begins to consume its lead character. Yoo Ah-in and Steven Yeun both deliver career-best work while newcomer Jeon Jong-seo is a marvel as the girl who finds herself caught between them.

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News: Newcomer Jeon Jong-seo Cast in LEE Chang-dong's Murakami Adaptation BURNING

By Pierce Conran

Auditions appear to have wrapped up for Lee Chang-dong's sixth film Burning as it was announced today that newcomer Jeon Jong-seo will take on the lead female role in the adaptation of Haruki Murakami's short story Barn Burning, originally published in The New Yorker.

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News: Will Steven Yeun Star in Lee Chang-dong's BURNING?

By Pierce Conran

Last week we finally got the news we'd all been waiting for when it was confirmed that Lee Chang-dong would finally be getting back behind the camera to shoot his next feature Burning, an adaptation of a Haruki Murakami short story. Now, with only a few weeks to go until its mid-September start date, news has broken that Walking Dead and Okja star Steven Yeun has been offered a lead role in the project.

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News: Lee Chang-dong Gears Up to Film BURNING, Based on Murakami Short Story

By Pierce Conran

We haven't had a new Lee Chang-dong film since 2010's magnificent Poetry but we got our hopes up last year when his new project Burning was announced, only to have them savagely dashed when a copyright issue stalled the production. That snag has now been resolved and production is set to begin on his new film in the middle of September.

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Korean Directors Take on STAR WARS!

By Kyu Hyun Kim

In the midst of global Star Wars mania, MKC contributor Kyu Hyun Kim imagines what a Star Wars Episode VIII might look like if the reins and total creative freedom were given to some of the biggest names in Korean cinema.

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