While eastern and western sensibilities co-exist somewhat happily in Korea these days, this wasn't always the case. Faced with independence after a long spell of colonial rule in 1945, albeit divided from the Soviet-controlled North, South Korea, through the presence of the US military, was presented with the trappings of the West for the very first time. Ever since then, there has been an uneasy relationship between respect for established local tradition and cravings for imported comforts.
Many films have examined this dichotomy, including
Early Rain (1966). However few have done so as aggressively as Lee Jang-ho's
Between the Knees (1984), a fascinating and frustratingly paradoxical work from the Korean New Wave. Both progressive and surprisingly conservative, it's a little hard to peg exactly what director Lee's angle is at different points of his film.
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