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South Korea’s rapid development over the past 20 years has been nothing short of an economic miracle but, though there’s no denying how far it’s come, not every element of society has progressed at the same breakneck pace. Various elements, particularly as they relate to social change, have stubbornly lagged behind. One such facet is the acceptance of homosexuality. As gay marriage is slowly becoming a part of daily life in various countries in the western world, gay rights are progressing haltingly in Korea. Given the nation’s advances in other areas, this, along with other social problems, seems a little incongruous when compared with the modern image projected through the nation’s media.
Through the prism of a highly developed film industry such as Korea’s, this divide seems that much more vivid. LeeSong Hee-il, Korea’s first openly gay filmmaker, has been busily working away on short films for quite some time but earlier this year he finally unveiled his sophomore feature White Night at the Jeonju International Film Festival, coming six years after his very well-received debut No Regrets.
