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By Pierce Conran
In the warm up to holidays, 1.81 million people visited theaters as a Korean film reclaimed the top of the charts. Local films were dominant with 62% of the market.
Showing posts with label 강남 1970. Show all posts
Showing posts with label 강남 1970. Show all posts
Sunday, February 8, 2015
Korean Box Office: Soft Opening for C'EST SI BON Ahead of Lunar New Year (2015 WK 6)
By Pierce Conran
In the warm up to holidays, 1.81 million people visited theaters as a Korean film reclaimed the top of the charts. Local films were dominant with 62% of the market.
News: GANGNAM BLUES Targets Lee Min-ho Fans with New Edit for China
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By Pierce Conran
Yoo Ha's gangster epic Gangnam Blues will be released in China next month but local viewers will be treated to a different cut of the film. In order to capitalize on star Lee Min-ho's big fan base in the region, changes were made affecting his character.
Sunday, February 1, 2015
Korean Box Office: Heroes Top Fathers and Gangsters (2015 WK 5)
By Pierce Conran
A Hollywood film topped the Korean box office for the first time in 2015 while a pair of Korean blockbusters battled for second place. Local films did hold a combined advantage though with a 55% market share in a weekend that saw 2.08 million spectators visit theaters.
Sunday, January 25, 2015
Reel Talk: GANGNAM BLUES and Korean Gangster Cinema
Every Friday I appear on a segment called Reel Talk for Arirang TV on the 2 o'clock news, mostly covering Korean cinema.
I've made no secret of my love for Yoo Ha's comeback Gangnam Blues (you can read MKC's review here) and this week on Reel Talk I took the opportunity to sing its praises and briefly look back over the rich history of Korean gangster cinema.
Saturday, January 24, 2015
Review: GANGNAM BLUES, a Gorgeously Overwrought Gangster Classic in the Making
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By Pierce Conran
Yoo Ha returns to gangster cinema and knocks it right out of the park with his latest, an evocative and immensely entertaining saga that pits a common tale of brotherhood and betrayal against a thrilling period setting mired in violence and corruption. Nine years after A Dirty Carnival, Yoo has maintained his knack for combining genre filmmaking and subtle symbolism, while also elevating his craft to encompass the full range of Korean cinema’s technical knowhow in Gangnam Blues.
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