Sol Kyung-gu in familiar territory |
While most of the films that Sol lends his name to these
days range from decent to quite good, the problem is that he is horrendously
typecast. This is a common phenomenon in most industrialized national cinemas
but Sol takes the cake. He invariably plays emasculated men who are single
fathers who must protect and/or save their daughters. It is a very specific
kind of typecasting and one would wonder why producers think that audiences
could still accept him within such confined parameters. The truth is that these
films are making a lot of cash, Troubleshooter, his most recent, scored nearly
2 million admissions on the back of his name and a thin premise. It’s little
unfortunate that the formula is working as that indicates that we will have to
put up with the same Sol characters for a while yet. His best recent role was
probably his ethereal cameo in 2009’s wonderful A Brand New Life, which harkens
back to the roles that began his career in earnest.
It seems to me that with No Mercy the producers thought they
would make a film that ticks a few boxes and lends itself to being marketed
overseas under the popular Asia extreme moniker. First off, it stars Sol
Kyung-go, who despite my already noted reservations, is one of Korea’s most
exportable stars. The premise is dark and twisted and the revenge formula that
is predominant in the narrative is nothing new in Korean film. All this is well
and good and the film trundles along at a good pace and is never less than
engaging. The performances from Sol and the ever versatile Ryoo Seung-beom are
strong and production values, if not the best Korea can offer, are top notch.
The end of the film is what really gets me, it it was uninspired and worse made me look over that which
had already played out very poorly.
Ryoo Seung-beom as the suspect |
Sol plays Kang Min-hom a pathology professor who is frequently
employed as an expert by the police. After a grisly murder takes place he and
Detective Min Seo-yeong (Han Hye-jin) work together to apprehend the killer (Ryoo Seung-beom). They do so but
as Kang is at the airport waiting for his daughter he receives word from the
jailed suspect through an accomplice that he has his daughter and to see her
alive again he must get him out. Thus he must try to mislead the police,
perjure himself, taint evidence, and all sorts of degrading and dishonorable
things for the sake of his daughter’s life. The past and memory feature
prominently as more is revealed of the characters in the film through
flashback, which is typical in melodramatic Korean cinema.
*Spoilers ahead*
Unlike most Hollywood films but not unsurprising for the
local industry, things do not turn out well. This is an interesting phenomenon
in of itself but I don’t think this is the best film to discuss it with. But I
think that Kang’s malfeasances and the hardships that befall him and other
characters have a certain sense of inevitability to them. For example, his daughter was born
with a genetic disorder, if I understood correctly she was a hemophiliac. This is
both very a propos but also very trite as she will of course be sacrificed and
will thus bleed for her family, it would seem this is her destiny.
The end is lifted in big spoonfuls from Oldboy (2003) and
given that the production has nowhere near that prestige pic feel, this is a
giant mistake which serves to derail what should have been a solid, albeit
standard, thriller.
*End of Spoilers*
"Graphic" autopsy |
The film tries very hard to be hard boiled and dark. There are a number of autopsy scenes that are meant go the distance to make you squirm (although they look kind of ridiculous) and even some surprisingly graphic sex scenes but they feel tacked on and do nothing to help the narrative. It’s unfortunate that the proceedings become so obvious as
the film progresses because I feel that the film had quite a lot of potential.
The early red herring that is supposed to explain the murder is far more
interesting and original than what ends up happening. Oh well, maybe next time.
In the meantime: Mr. Sol, please get a new agent before you become completely irrelevant!
Reviews and features on Korean film appear regularly on Modern Korean Cinema. For film news, external reviews, and box office analysis, take a look at the Korean Box Office Update, Korean Cinema News and the Weekly Review Round-up, which appear weekly on Monday, Wednesday, and Friday mornings (GMT+1).
To keep up with the best in Korean film you can sign up to our RSS Feed, like us on Facebook, or follow us on Twitter.
Reviews and features on Korean film appear regularly on Modern Korean Cinema. For film news, external reviews, and box office analysis, take a look at the Korean Box Office Update, Korean Cinema News and the Weekly Review Round-up, which appear weekly on Monday, Wednesday, and Friday mornings (GMT+1).
To keep up with the best in Korean film you can sign up to our RSS Feed, like us on Facebook, or follow us on Twitter.
no download links?? haha just kidding, good review/site
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